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フェルシー・ロロ 「ザビーネ・シャルを真似てみたのだ」

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(EyesHD:1.2), best quality, high resolution, ultra detailed, very aesthetic, sharp focus, depth of field, vibrant colors, ray tracing, best lighting, detailed illustration, detailed background, HDR effect, cinematic vividness, intricate colors, glowing particles, glowing, color ink (medium), traditional media, animated painting, anime keyvisual, dynamic angle, from below, looking at viewer, 1girl, Felsi Rollo (The Magnificent Kotobuki), solo, yellow eyes, ash blonde hair, short hair, ponytail, navy blue pilot suit, gold lines, cool eyepatch, left eye, pretentious pose, pretentious smile, white castle, space colony, SF anime, black elegant combat mecha, humanoid robot, standing in front, perspective from upper right
Show Parameters
Original Prompt
(EyesHD:1.2), (best quality), (high resolution), (ultra-detailed), (very aesthetic), (sharp focus), (depth of field), (vibrant colors), (ray tracing), (best lighting), (detailed illustration), (detailed background), (HDR effect), (cinematic vividness), (intricate colors), (vibrant colors), (depth of field, glowing particles), (glowing), (color ink (medium)), (traditional media,) animated painting, anime keyvisual, dynamic angle, from below, looking at viewer, (1girl, Felsi Rollo, solo, yellow eyes, ash blonde hair, short hair, ponytail, Navy blue pilot suit with gold lines, cool eyepatch on his left eye, pretentious pose, pretentious smile,) 宇宙コロニー内の白亜の城の前、 SFアニメに出てくる黒の優雅な戦闘用人型ロボットの前に立つ、 右斜め上からの視点、
Size
768 x 1280
Sampling Steps
5
Sampling Method
DPM++ SDE Karras
CFG Scale
3
Negative
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)

Model & LoRA used

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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