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oc rpg fantasy
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- Size
- 768 x 1280
- Sampling Steps
- 12
- Sampling Method
- Euler a
- CFG Scale
- 7
- Negative
- score_4, score_5, score_6, source_pony, source_furry, monochrome, 3d, photo, hyperrealistic, realstic, rough sketch, fewer digits, extra digits, signature, artist name, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked
Model & LoRA used
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copyright: total_war, total_war:_warhammer
1boy, male, lizardman, dinosaur humanoid, bronze scales, sharp teeth, long legs, long arms, tall body, long tail, head crest, muscular build, from below, wide shot, cinematic pose, white background, looking at viewer, smirk, standing on one leg, weight shift
A low-angle wide shot looks up at a towering, muscular saurus warrior standing against a seamless, void-white background. He is caught in a dynamic, asymmetric stance, shifting his massive weight onto his left leg while the right foot is slightly raised, toes gripping the invisible floor. His skin is a heavy plating of shimmering metallic bronze scales that catch a bright, directional light from the upper right, casting sharp, dark shadows across his powerful chest and abdomen. A prominent, jagged crown crest of bone and scale rises from the top of his skull. He leans slightly forward, one long arm hanging relaxed at his side while the other is bent, a three-fingered clawed hand resting firmly on his hip. His long, thick bronze tail curls behind him in a heavy arc, the tip brushing the white ground. His mouth is slightly parted in a smug smirk, revealing rows of needle-sharp white teeth. The high-contrast lighting emphasizes the coarse texture of his hide and the immense scale of his frame. Effortlessly imposing.
Aditya 9
p1
Bio behenoth
PWS 17822
クリーチャーデザイン 獣燐兵
鈴蘭丸
孤高の古代竜
バゴラ
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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