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Vegeta @Erick Bridges

I referenced @Erick Bridges Thank you @Erick Bridges Checkout this amazing artwork by Erick Bridges on PixAI! https://pixai.art/artwork/1882803447095558868?utm_source=copy_web https://pixai.art/artwork/1882803447095558868?utm_medium=referral&utm_content=share&utm_source=copy_ios Thanks. Enjoy~ -Créma Flavor- Vegeta, vegeta (Dragon Ball), ベジータ, 베지타, 배지타, 베지터, vegita, 카카로트, 드래곤볼, 손오공, 오공, Son Goku, 悟空

#Gi#Japanese sword#Frown#Dragon#Dragon Ball#Aura#Vegeta#Dragon#Son Goku#Three-view drawing#Crossed arms#Biceps#monkey boy
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Vegeta from dbz, perfect black spike hair, chinese black eyes, seductive smile, lightlora, made from light, light, light particles, glowing, cinematic lighting, cinematic angle, soft light, color detail, backlighting, yellow energy glowing from him, giant glowing chinese dragon behind him, Depth of field, long exposure, light steps, intricate colors, vibrant colors,  笑顔, white secy corset. big breats, shiny skin, white pale skin. diamond glow, diamond theme, diamond skin.,cinematic lighting , cinematic angle, soft light , color detail, backlighting, Depth of field, long exposure, light steps, intricate colors, vibrant colors,vegeta, with his typical hair, black hair, black eyes, serious look, detailed armor, no bangs, no bangs, arms crossed, wearing white gloves on, spiky hair,Dragon Samurai, great pose, strong body, blue tigh clothes, white armor, yellow shoulder, explosion stars behind him. glowing stars and space background.
Show Parameters
Size
1000 x 1024
Sampling Steps
5
Sampling Method
DPM++ SDE Karras
CFG Scale
3
Negative
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)
Face Fix

Model & LoRA used

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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