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AI art "Erika"
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Erika

한

한마류지로

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solo, , front bending over desk, , , office room. , full body .lift heel . . Curvy breasts. ,erika kuramoto, twintails, red hair, two side up, brown eyes, hair between eyes, From behind . Office look,erika kuramoto, twintails, red hair, two side up, brown eyes, hair between eyes, panty stocking,erika kuramoto, twintails, red hair, two side up, brown eyes, hair between eyes, large breasts. From above. From back
Show Parameters
Size
896 x 1152
Sampling Steps
8
Sampling Method
DPM++ SDE Karras
CFG Scale
3.7
Negative
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose
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n1
artist: ratatatat74 1girl, solo, long vibrant red hair, hazel eyes, beautiful face, striking hyper-feminine silhouette, intern, tight white button-down shirt, black micro-miniskirt, high heels, bending over, leaning forward, from behind, from below, over-shoulder composition, looking back, white outline, office background, volumetric lighting, depth of field, detailed background, highres, absurdres, cinematic wide angle, sharp cel-shading, rim lighting, high contrast From behind and slightly below, a single young woman bends at the waist over an open office floor, seen on a wide-angle lens that pushes her hips and the flare of her hair large in the frame while the far end of the room pulls away into soft blur. Her weight rides on her left leg, that heel planted and the calf taut; the right leg trails behind with the toe of the shoe barely touching the carpet, so the black micro-miniskirt rides up along the back of her thigh and the white button-down pulls snug across her shoulder blades, a seam of tension running from her waist up to the collar. Both hands reach down toward a dropped stack of manila folders and a scatter of loose pages fanned across the carpet; her fingers are just closing on the topmost folder, the corner already lifted and bending under her grip, one sheet sliding off the pile and tilting mid-air. Her long vibrant red hair spills forward over one shoulder and hangs down past her jaw so it nearly brushes the carpet, a few strands caught against the folder's edge, and a last heavy lock still clings across the back of her neck. Her head is turned back over her shoulder toward the lens, hazel eyes lifting through the falling hair with a sly sideways glance and one brow arched, lips parted in a small knowing smirk, the corner of her mouth pulling higher on the near side; the white outline runs a clean bright contour around her whole silhouette where it meets the darker room. Around her the office reads deep and specific: rows of grey-blue desks with dark monitors receding into a bokeh haze, a glass partition catching faint grids of light on the left, a potted plant softly grotesque in the blur, ceiling light panels marching away in diminishing perspective and thin cable lines running overhead toward the vanishing point. The light is a cold white wash from those ceiling panels from above and slightly behind the camera, so it outlines the curve of her hip and the arc of her back in a bright rim while her front and the floor beneath her chest fall into a dimmer, cooler grey; her cast shadow pools under her leaning body across the folder and the carpet, darkest where she blocks the panels directly overhead. The palette holds cool office greys and blues, the flat white of her shirt, and the red of her hair and the black of the skirt as the only saturated anchors; a faint desaturated accent of teal glows off a distant monitor. Fine carpet tooth, crisp cel-shaded folds in the fabric, and the small physics of the moment — the lifted folder corner and the falling sheet catching the light as they tip. Cool, teasing, immaculate.
nyx131313
#zetaCollab

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