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- Euler a
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- Negative
- (feces around penis:2) bad quality,worst quality,worst detail,sketch,censor, simple background,transparent background
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masterpiece, best quality, newest, absurdres, highres, anime screencap, magia record: mahou shoujo madoka magica gaiden, 2025, side view, full body, footwear, 2girls is chibi, sakura kyoko and kaname madoka is chibi, petite, small, sakura kyoko and kaname madoka, anime screencaps, magical girl, happy smile with open mouth, sakura kyoko and kaname madoka are gazing at each other, official clothes, 2girls, only 2girls, sakura kyoko and kaname madoka are embracing, they love each other, a hug, hugging, full body, chibi, sakura kyoko, red hair, high ponytail, black bow, magical girl, detached sleeves, red frilled dress, long hair, black eyes, kaname madoka, twintails, pink hair, gloves, bow, short twintails, short hair, pink eyes, skirt, long hair, white gloves, hair bow, choker, puffy sleeves, ribbon, dress, bubble skirt, short sleeves, frills, hair ribbon, socks, hairband, puffy short sleeves, ((very happy smile with open mouth)), laughing, kaname madoka, sakura kyoko\(Puella Magi Madoka Magica\), kyouko sakura, long hair, red eyes, ponytail, hair bow, red hair
DoubleSuger
masterpiece, best quality, newest, absurdres, highres, anime screencap, magia record: mahou shoujo madoka magica gaiden, 2025, masterpiece, best quality, newest, absurdres, highres, magia record: mahou shoujo madoka magica gaiden, side view, cowboy shot, 2girls, chibi, sakura kyoko and kaname madoka are chibi, petite, small, magia record: mahou shoujo madoka magica gaiden, sakura kyoko and kaname madoka, anime screencaps, magical girl, happy smile with open mouth, sakura kyoko and kaname madoka are gazing at each other, official clothes, 2girls, only 2girls, sakura kyoko and kaname madoka are embracing, they love each other, hug, hugging, full body, chibi, sakura kyoko, red hair, high ponytail, black bow, magical girl, detached sleeves, red frilled dress, long hair, black eyes, kaname madoka, twintails, pink hair, gloves, bow, short twintails, short hair, pink eyes, skirt, long hair, white gloves, hair bow, choker, puffy sleeves, ribbon, dress, bubble skirt, short sleeves, frills, hair ribbon, socks, hairband, puffy short sleeves, ((very happy smile with open mouth)), laughing, kaname madoka, sakura kyoko\(puella magi madoka magica\), kyouko sakura, long hair, red eyes, ponytail, hair bow, red hair
DoubleSuger
大陽
character: ryuuguu_rena, sonozaki_mion, copyright: higurashi_no_naku_koro_ni
2girls, pov, ryuugu rena, sonozaki mion, short orange hair, blue eyes, empty eyes, no pupils, flushed cheeks, furious expression, shouting, open mouth, long green hair, ponytail, green eyes, fierce glare, baring teeth, leaning forward, slamming hand on tatami, aggressive pose, yandere, murderous intent, underground dungeon, wooden bars, dim lighting, dramatic shadows, high contrast, from below, dutch angle, close-up, clenched teeth, veins of anger, staring at viewer, looking down at viewer, one hand on floor, kneeling, upper body, clenched fist, messy hair, hair between eyes, purple bow, sidelocks, tension lines, sweat drop, angry eyes, shadow over eyes
The camera sits low on the tatami, tilted a few degrees off level, looking up from between the two of them so that both figures tower over the lens at the near edge of the frame and the dungeon ceiling is swallowed in black above them. Ryuugu Rena fills the left half: short orange hair, cut just below the jaw, the strands between her eyes hanging forward as she pitches her upper body toward the viewer's face, her purple bow at the crown of her head; her blue eyes are flat solid colour with no pupil at all, blank and depthless, and her flushed cheeks are a hot smear of red that climbs to her ears against the dungeon's cold grey-brown. Her mouth is wide open mid-shout, upper and lower teeth bared, the cords of her throat standing out, spit not yet drawn — she is shouting at the viewer, straight into the lens, and her eyes never leave it. Her right hand is off the floor, fingers hooked into a claw raised beside her shoulder; her weight is pitched forward onto her left knee.
Sonozaki Mion occupies the right, closer to the camera and half-cutting the frame, leaning in at an angle of nearly forty-five degrees so her shoulder crosses in front of Rena's raised arm: long green hair gathered into a high ponytail that throws its weight forward over her shoulder, its tail swinging out toward the lens with the momentum of the lean, parted bangs and sidelocks framing her face. Her green eyes are narrowed to slits under a lowered brow, locked on the viewer, and her lips are peeled back off her clenched teeth in a snarl, a muscle jumping at her jaw. Her right arm is thrust down and forward, and her open palm slams flat against the tatami at the bottom of the frame, the woven straw mat compressing and denting under the heel of her hand, a few loose straw strands springing at the impact point, the tatami's cloth border running right under her fingertips; her left hand is a fist cocked back at her hip. Her weight is all on that planted hand and the forward hip, one foot dragged under her behind.
The dungeon closes in behind them: heavy wooden bars, square-cut and rough, running from a stone sill at floor level up out of the top of the frame, a second set of bars set further back in deeper shadow; between them only blackness and damp stone. The dim lighting is a single guttering source high and behind the viewer's left, so both women are lit from below-and-left — the undersides of their chins, the rims of their cheekbones and the tips of their teeth catch the light, their eye sockets go into shadow, and long hard shadows of the bars rake up the back wall and throw stripes across the two faces. High contrast: the highlights are a thin white and everything else falls to near-black, the red of the flushed cheeks and the green of the ponytail the only two saturated points in the frame. Neither woman looks at the other; both look straight down the barrel of the lens, and that is what makes the murderous intent land. Claustrophobic, savage.
A shonen-manga cel style with heavy black inking, hard-edged shadow shapes, flat saturated fills and screentone-free high-contrast rendering.
大陽
Einhart Maxwell
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character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
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Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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