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Tsubaki, Train interior
Show Parameters
- Original Prompt
- Empty last train carriage flickering, half-left newspaper headline, sticky red straw on seat, Hitchcockian tension with Satoshi Kon's visual dissonance, sickly fluorescent lights casting long shadows.
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 1280 x 768
- Sampling Steps
- 25
- Sampling Method
- Euler
- CFG Scale
- 4.5
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model & LoRA used
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ムー
ムー
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A medium shot from a slightly elevated eye-level angle showing the desolate interior of a passenger bus at night. The empty bus is captured in a wide perspective, focusing on the rows of empty fabric seats with worn textures and the long, reflective aisle leading toward the front. The interior is dimly lit, with small, cool-toned overhead reading lights casting soft pools of light on the vacant seats, while the windows are dark, reflecting the interior and revealing glimpses of a nighttime city through the glass. The atmosphere is quiet and melancholic, characterized by a deep blue and charcoal color palette with high contrast between the shadows and the pale artificial light. Soft depth of field blurs the distance, enhancing the feeling of solitude and stillness within the metallic and plastic environment.
jianhua
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Train Seats
Themule
도도
character: kaname_madoka
beautiful light, best shadow, color blink, beautiful light,best shadow,color blink,A solitary figure resembling Madoka Kaname sits at the far end of an ordinary, half-empty commuter train car late at night, captured from a low three-quarter angle down the aisle so both her small, still form and the full stretch of the fluorescent-lit carriage remain equally in focus, nothing cropped tight or centered. She sits with her hands folded in her lap, posture perfectly composed, staring not out the window but directly forward at nothing in particular, her expression calm to the point of unsettling. The other seats around her, and the handstraps swaying gently with the train's motion, are completely empty — not a single other passenger anywhere in the frame, though the destination board overhead still flickers with an ordinary station name in transit. Her school uniform and hair look untouched by the fluorescent light's harsh color temperature; where everything else in the carriage is washed in cold white-blue tube lighting, she alone is lit faintly warm, as if lit by a separate, softer light source that exists only around her, with no visible origin. Through the window behind her, the tunnel walls blur past at normal train speed, but for one carriage-length stretch the tunnel lights outside briefly align into a faint golden ring, visible only in the reflection on the glass beside her head, gone in an instant if you look at the tunnel directly rather than the reflection. The overall mood is mundane to the point of tedium — a late train, tired fluorescent light, nothing dramatic happening — except that everything about her presence insists, without any overt supernatural marker, that she does not quite belong to the same continuity as the empty car around her, as though the train is running and she is simply riding along inside a moment nobody else remembers happening.
도도
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