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Show Parameters
- Original Prompt
- nanaka kotegawa, long hair, brown hair, brown eyes,gbluenanaka, brown hair, single hair bun, sidelocks, brown eyes, large breasts, brown hair, long hair, brown eyes, large breasts, white bikini, diving suit, single hair bun, Lie on back, nanaka dead, pool of blood, Lie flat
- Size
- 1024 x 570
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Model & LoRA used
![Nanaka Kotegawa/古手川 奈々華 (Grand Blue) SDXL LoRA [Illustrious] - AI Model cover image](https://images-ng.pixai.art/images/thumb/e2dd478f-48cf-4175-828c-567ad7c4b1b9)
![Nanaka Kotegawa/古手川 奈々華 (Grand Blue) SDXL LoRA [Pony Diffusion] - AI Model cover image](https://images-ng.pixai.art/images/thumb/b4e5a1d2-2e24-4eb0-abea-eff79110a32c)
Similar Images
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u5
character: tifa_lockhart
1girl, solo, tifa_lockhart \(ff7\), long hair, black hair, low-tied long hair, red eyes, swimsuit, black bikini, 3D model, 3d render, cg, photorealistic 3d, glossy skin, pure white background, solid white background, from above, looking up at viewer, standing on one leg, weight on one hip, arm behind head, hand in hair, head tilt, light smile, one eye half-closed, collarbone, navel, bare shoulders, no gloves, bare hands, bare arms, no skirt, no suspenders, no earrings, bare ears, no jewelry, wind, hair sway, full body, cowboy shot, soft studio light,
Rendered as a three-dimensional model against a completely empty pure white field: no horizon, no floor line, no prop, no shadow catcher — the figure alone on a seamless white void. The camera looks down from above and slightly to her right, a high three-quarter angle that foreshortens her shoulders and lengthens her legs toward the bottom of the frame; her chin lifts so her red eyes meet the lens from under her brow. Her long black hair is gathered low at the nape in a single tie and falls in a heavy glossy mass past her shoulder blades, a few strands blown across her cheek by a light air current from frame left, the loose ends lifting away from her back. She stands balanced on her right leg only, left knee bent and left foot trailing behind so the toes hover just clear of the invisible ground, her hip pushed out to the right; her right arm is raised and folded, the back of her wrist resting against the tie of her hair, fingers half-buried in the black strands, while her left arm hangs relaxed with the hand loose and open at her side. Both hands are bare — no gloves, no rings, the skin of her forearms and shoulders fully uncovered. The swimsuit is a two-piece in deep matte black with thin halter straps knotted once behind her neck and a small silver-free clasp at the centre of the bandeau; smooth, faintly sheened fabric stretches over her chest and hips, its edges biting very slightly into the skin so the surface compresses there and the highlight breaks at the seam. Her ears are completely bare, no hoops, no studs, nothing at the lobes, and her throat and wrists are unadorned. Lighting is a clean three-point studio rig: a broad soft key from the upper left that lays a long soft-edged highlight down the top of her shoulder, the bridge of her nose and the crest of her thigh; a dimmer cool fill from the right that keeps the shadow side readable; and a narrow rim from behind that draws a hard bright line along the outer edge of her hair and the back of her calf. On the white ground the only darkness is her own cast tone, a diffuse grey bloom pooling under her standing foot and fading fast in every direction, and the faint contact darkening where the bent toes nearly touch. Surfaces are rendered with physically based shading — soft subsurface warmth in the skin, anisotropic sheen in the hair, a low-specular matte on the suit — with clean antialiased edges and no grain. Palette is restricted to three values only: her black hair and suit, the warm pale ivory of her skin, and the flat white field, with red reserved for the irises and nothing else. Effortlessly sleek.
userai5594
ek
اجعل البنية دموية أكثر: أضف دماء أكثر على الوجه والفم مع تجمّع دموي تحت الرأس على الرمال، اجعل عينيها ذابلتين نصف مغمضتين بعبارة باهتة فاقدة للحيوية، واجعل بشرتها شاحبة بدرجة لون باهتة، مع الحفاظ على وضعية الاستلقاء نفسها على الرمال، وملابس البكيني المخططة باللون الأزرق، والحقيبة، والإطار العام دون تغيير. يبقى باقي الصورة كما هو في الصورة المدخلة image1.
enma kora
a
Asa Mitaka
Azonik
cd
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