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View detailsFurry, Dog tail
Show Parameters
- Original Prompt
- TerasakaAC, _Terasaka_two-tone short hair, green_Terasaka_eyes, terasaka ryouma, dalmatian, furry, furry male, 1boy, solo, dog boy, dog ears, dog tail, Dalmatian furry, Dalmatian pattern, spotted fur
- Size
- 512 x 768
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 6
- Negative
- nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, EasyNegativeV2
Model & LoRA used
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Show more🦓👟🖤
宗次郎
mikicat style,bara anime style,clear and clean lines,body all sweaty and hairy,1boy,hot male,mature male focus,perfect face,mischievous smile.,sa1k0p style,bara anime style,clear and clean lines,body all sweaty and hairy,1boy,hot male,mature male focus,perfect face,mischievous smile.,f0xS1,fox,orange fur,black eyes,red scarf,black undershirt,white vest,green shirt,green pants,dark blue gloves,black belt,
©®™
(Furry:1.2), (soft highlights:1.2), (smooth shading:1.2), subsurface scattering, volumetric forms, (average build), (beautiful detailed eyes:1.2), (detailed pupils:1.1), (detailed face:1.2), master piece, (Fluffy:1.2), solo, panda Anthro guy, male, adult, average build, black and white panda fur, deep brown eyes, round panda ears, short neatly styled black hair, small panda tail, wristwatch, wearing casual navy blazer, white shirt, dark trousers, modern cafe interior, softly blurred tables and warm window light, slight three-quarter front view, eye-level, looking at viewer, calm friendly smile
clover4
1boy, solo, wolf anthro, male, kemono, furry, red fur, many old scars on face, gentle face, front-facing bust shot, waist up, dynamic angle, bald, Mikucat34_\(artist\), line art, flat color, masterpiece, best quality, newest, absurdres, highres
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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