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AI art "Mirai in Persona style"
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Mirai in Persona style

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snow, night, persona, soejima_shigenori, mirai kuriyama, short hair, brown eyes, glasses, pink hair, red-framed eyewear, character focus, depth of field, glowing particles, glowing, reflection, blue theme, red theme, green theme, orange theme, yellow theme
Show Parameters
Size
1280 x 768
Sampling Steps
20
Sampling Method
Euler a
CFG Scale
6
Negative
lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked

Model & LoRA used

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Avatar image of hitdress
copyright: persona, persona_5 1girl, solo, original anime character, short tousled midnight blue hair, sharp side bangs, bright turquoise eyes, cool expression, black school uniform jacket, white collared shirt, red ribbon, waist-up, cowboy shot, from below, three-quarter view, looking to the side, head tilt, screen print aesthetic, cel shading, crisp flat colors, bold black outlines, flat graphic shadows, minimal gradients, limited color palette, vivid cyan, deep navy blue, pure white, vivid red accents, high contrast color blocking, layered flat shapes, angular polygons, abstract blue shapes, cutout composition, geometric shapes, thick graphic lines, vector-like graphic elements, sharp edges, asymmetric editorial layout, magazine cover layout, poster composition, oversized bold sans serif typography, huge cropped letters, stacked uppercase text, diagonal text arrangement, overlapping text and character, extreme scale contrast, negative space, striking silhouette, typographic hierarchy. Waist-up, shot from slightly below, the girl is turned three-quarters away from the frame and caught mid-turn back toward the lens: her right shoulder drops toward the camera, her chin is tilted down and swung over that shoulder, and her gaze slides off to camera-left instead of meeting the viewer, so only one bright turquoise eye is fully lit and the other sits in flat navy shadow. Her short midnight blue hair is tousled, one cowlick flicking up at the crown while the sharp side bangs cut a clean diagonal across her brow; the windless graphic air leaves it weightless, a hard-edged mass in navy with a single white specular streak. Her mouth is a flat, closed, unimpressed line, one brow faintly arched -- cool, not hostile. Both hands are shoved into her jacket pockets, so the black school uniform jacket pulls taut across her shoulders and the cuffs ride up her wrists; beneath it the white collared shirt shows a crisp pointed collar standing open, and the red ribbon is tied in a neat angular knot at her throat, its two short tails hanging over the white. Nothing else is on her -- bare earlobes, hair completely unadorned. The figure is cut out and pasted into an editorial layout rather than standing in a room. Behind her, flat navy field built up in stacked layers: a huge vivid cyan triangle rises from the lower left past her elbow, a thin white slab cuts horizontally behind her collarbone, and a cluster of small angular polygons and a dotted halftone square drift toward the upper right -- all flat, no depth, no atmosphere. A sliver of white ground shows through where her silhouette has been trimmed a hair too tight, so the cyan polygon reads as a paper cutout an eighth of an inch inboard of her outline. The lighting is a poster's, not a room's: hard flat light from upper right lays a single solid navy shadow-shape along the left of her jaw, her neck and the left half of the shirt, with no gradient inside it, and a crisp white rim separates her dark shoulder from the dark field. Palette is closed -- vivid cyan, deep navy, pure white and the red of the ribbon alone; the turquoise of her irises is the only other colour admitted. Typography does the layout work. A massive white uppercase word is cropped off both edges of the sheet and runs clean across the top third, overlapping her hair, its counters showing slivers of navy beneath; a second line of smaller stacked uppercase white letters runs diagonally down the right margin from top to bottom, tilted on the same axis as her shoulder; the magazine's masthead sits huge across the very top edge, half cut off, with a small white coverline block low on the left above her elbow and a fine rule of illegible micro-credit text at the bottom edge. The cyan shape prints a touch out of register from its navy keyline, the way a two-colour screen print does when the squeegee is pulled once, hard and fast. Effortlessly stylish, icy-cool.
hitdress
AI artwork
Avatar image of hitdress
copyright: persona, persona_5 1girl, solo, original anime character, short tousled midnight blue hair, sharp side bangs, bright turquoise eyes, cool expression, black school uniform jacket, white collared shirt, red ribbon, waist-up, cowboy shot, from below, three-quarter view, looking to the side, head tilt, screen print aesthetic, cel shading, crisp flat colors, bold black outlines, flat graphic shadows, minimal gradients, limited color palette, vivid cyan, deep navy blue, pure white, vivid red accents, high contrast color blocking, layered flat shapes, angular polygons, abstract blue shapes, cutout composition, geometric shapes, thick graphic lines, vector-like graphic elements, sharp edges, asymmetric editorial layout, magazine cover layout, poster composition, oversized bold sans serif typography, huge cropped letters, stacked uppercase text, diagonal text arrangement, overlapping text and character, extreme scale contrast, negative space, striking silhouette, typographic hierarchy. Waist-up, shot from slightly below, the girl is turned three-quarters away from the frame and caught mid-turn back toward the lens: her right shoulder drops toward the camera, her chin is tilted down and swung over that shoulder, and her gaze slides off to camera-left instead of meeting the viewer, so only one bright turquoise eye is fully lit and the other sits in flat navy shadow. Her short midnight blue hair is tousled, one cowlick flicking up at the crown while the sharp side bangs cut a clean diagonal across her brow; the windless graphic air leaves it weightless, a hard-edged mass in navy with a single white specular streak. Her mouth is a flat, closed, unimpressed line, one brow faintly arched -- cool, not hostile. Both hands are shoved into her jacket pockets, so the black school uniform jacket pulls taut across her shoulders and the cuffs ride up her wrists; beneath it the white collared shirt shows a crisp pointed collar standing open, and the red ribbon is tied in a neat angular knot at her throat, its two short tails hanging over the white. Nothing else is on her -- bare earlobes, hair completely unadorned. The figure is cut out and pasted into an editorial layout rather than standing in a room. Behind her, flat navy field built up in stacked layers: a huge vivid cyan triangle rises from the lower left past her elbow, a thin white slab cuts horizontally behind her collarbone, and a cluster of small angular polygons and a dotted halftone square drift toward the upper right -- all flat, no depth, no atmosphere. A sliver of white ground shows through where her silhouette has been trimmed a hair too tight, so the cyan polygon reads as a paper cutout an eighth of an inch inboard of her outline. The lighting is a poster's, not a room's: hard flat light from upper right lays a single solid navy shadow-shape along the left of her jaw, her neck and the left half of the shirt, with no gradient inside it, and a crisp white rim separates her dark shoulder from the dark field. Palette is closed -- vivid cyan, deep navy, pure white and the red of the ribbon alone; the turquoise of her irises is the only other colour admitted. Typography does the layout work. A massive white uppercase word is cropped off both edges of the sheet and runs clean across the top third, overlapping her hair, its counters showing slivers of navy beneath; a second line of smaller stacked uppercase white letters runs diagonally down the right margin from top to bottom, tilted on the same axis as her shoulder; the magazine's masthead sits huge across the very top edge, half cut off, with a small white coverline block low on the left above her elbow and a fine rule of illegible micro-credit text at the bottom edge. The cyan shape prints a touch out of register from its navy keyline, the way a two-colour screen print does when the squeegee is pulled once, hard and fast. Effortlessly stylish, icy-cool.
hitdress

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