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#Blue Archive#Sorasaki Hina
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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AI artwork
iv
A digital anime illustration of the character from image1 standing inside a tightly packed commuter train, being groped by unseen hands from the pressing crowd. She has long white hair styled in twintails with a blue-tipped ahoge, blue eyes, and wears the same outfit as image1: a frilly peach-colored dress with a large blue gem on the chest, black halter straps, and detached puffy white sleeves adorned with rowed blue gems. Her expression is distressed, flushed, and highly uncomfortable as the faceless bodies of suited male passengers squeeze closely around her from all sides. Several disembodied hands emerge from the dense crowd, inappropriately grabbing her waist and thighs. The background features the claustrophobic interior of a brightly lit Japanese train carriage, completely filled with standing commuters. The art style stays the same as the input image1.
I V
AI artwork
iv
A digital anime illustration of the character from image1 standing inside a tightly packed commuter train, being groped by unseen hands from the pressing crowd. She has long white hair styled in twintails with a blue-tipped ahoge, blue eyes, and wears the same outfit as image1: a frilly peach-colored dress with a large blue gem on the chest, black halter straps, and detached puffy white sleeves adorned with rowed blue gems. Her expression is distressed, flushed, and highly uncomfortable as the faceless bodies of suited male passengers squeeze closely around her from all sides. Several disembodied hands emerge from the dense crowd, inappropriately grabbing her waist and thighs. The background features the claustrophobic interior of a brightly lit Japanese train carriage, completely filled with standing commuters. The art style stays the same as the input image1.
I V

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