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- Original Prompt
- 一位女孩 雙馬尾 (髮量少) (細馬尾) 淡亞麻綠色頭髮 淺金綠色頭髮 長髮 hair reaching upper elbows, 耳上高馬尾 高雙馬尾 直髮 面無表情的，殺手，水藍色眼睛 hair between eyes 齊瀏海 可愛 冷酷的，黑暗的，黑色水手領，黑色短袖上衣，黑色百褶裙，十字架項鍊，脖子有繃帶，黑暗的廢墟，巷口，堆滿雜物的巷口，女孩撐著一把透明雨傘，看像鏡頭，全身構圖，無光的巷子，黑色學生襪，皮鞋，黑貓, ruanyi1222,dark,night,road,building, dark theme, dim lighting, black theme, dark background, dark room, black background, silhouette, backlighting, Detailed
- Size
- 1024 x 608
- Sampling Steps
- 30
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Seed
- 2717755325087791
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked, waist-length hair
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HiRes
Model & LoRA used
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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