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Boy in the field (Norman Rockwell) #3

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1boy, norman rockwell style, masterpiece, ultra detailed, looking at viewer, warm lighting, nostalgic atmosphere, vintage clothing, realistic shading, soft shadows, american culture, mid 20th century, wholesome expression, detailed background
Show Parameters
Original Prompt
1boy, norman rockwell style,
Size
736 x 920
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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A semi-realistic painterly illustration captured in a three-quarter full-body shot from a slightly low angle, showing the young boy from image1 standing alone among the bombed ruins of Coventry in 1943. Retaining his facial structure and general bearing from image1, the small, underfed, pale, and hollow-cheeked boy wears a solemn and hungry quiet expression, with a shock of light brown hair falling across his brow. He holds a battered enamel school badge close to his chest with both hands. He is dressed in the tattered remains of an old school uniform: a threadbare grey wool jumper with hand-patched elbows, a yellowed shirt with a frayed collar, a dusty and frayed knotted blue tie, grey knee-length shorts, and scuffed lace-up boots. The ruined city looms behind him with cinematic depth of field mimicking an 85mm lens, featuring the flattened shells of terraced houses, a broken church spire, drifts of brick dust, curling paper, and a half-buried school nameboard. The environment is bathed in overcast winter light, with thin sun diffused through a smoke haze, drifting ash, and the faint orange glow of distant fires. The style is changed to a semi-realistic painterly illustration with expressive brushwork and a muted, desaturated wartime Britain palette of soot grey, ochre dust, faded brick red, and cold blue shadow.
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Avatar image of たぬきのけだま
A medium shot from a low-angle perspective captures a slender, beautiful teenage girl with sharp eyes and a black pixie cut, walking away from the viewer along a rural path at early autumn sunset. She is dressed in an oversized dark green knit cardigan over a white high-neck shirt, paired with thick navy blue corduroy pants and white sneakers, with a large white tote bag slung over her shoulder. Her small, fragile frame casts a long shadow that stretches forward toward the horizon. The scene is set on a country road where houses and utility poles stand sparsely under an orange-tinted evening sky. The foliage remains green as the leaves have not yet turned red, but the landscape is bathed in a warm, red glow from the setting sun. In a nearby vacant lot, tiny red dragonflies are depicted as minuscule specks, barely visible in the air. The visual style is a realistic watercolor on paper texture, characterized by loose linework blending into translucent washes, gentle color bleeding, and layered stains. The atmosphere is deeply nostalgic, sentimental, and melancholic, with a soft, pale aesthetic and a muted color palette that evokes a sense of yearning.
たぬきのけだま

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