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skibidi gyatt rizzler 700

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skibidi gyatt rizzler 700

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w4ltz, holding hands, dancing, looking at another, skyfire\(transformers\), best quality, perfect hands, male, dancing, two robots, beautiful outside scene, nighttime, outside nighttime, dancing on grass, moonlight shining down, illustration, seeker starscream, seeker smaller than skyfire
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Original Prompt
,w4ltz, holding hands, dancing, looking at another,Skyfire,transformers,best quality, perfect hands, male, dancing, two robots, (((Beautiful outside scene))) (((Nighttime))) (((Outside nighttime))) (((Dancing on grass))) (((Moonlight shining down))) (((ILLUSTRATION))) (((Seeker — starscream))) (((Seeker smaller than skyfire)))
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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Avatar image of เอกฤทธิ์ มะสีหา
character: optimus_prime, copyright: transformers 2boys, 2 mecha, robot mecha, autobot, transformers, pointing hand, pointing at viewer, outstretched arm, from below, dutch angle, low angle, wide shot, blue hair, double bun, hair bun, blue eyes, red jacket, blue fingerless gloves, crop top, goggles on head, bare ears, unadorned hair, red armor, blue armor, silver chest plating, window glass, split composition, Shot from below on a hard dutch tilt, two enormous Autobot mecha stand shoulder to shoulder on a wet concrete rooftop deck at night, the camera almost at deck level so both bodies tower and converge toward the top of the frame. On the left, the taller of the two: a broad red-armored Autobot with a silver chest plate and stacked smokestacks rising behind each shoulder, standing square-planted with weight on his right leg, right arm folded down at his side, left arm thrust out across the frame with the forearm plated in blue, hand closed into a fist with the index finger extended, the pointing arm foreshortened and slightly out of true because of the tilt, a short cape of exhaust haze trailing off the stacks. His head is a wide crested helm with a blue faceplate; a blue hair-bun mass of cable bundles is coiled and pinned at the back of the helmet crown, twin double buns sitting high above the nape, and the blue eyes glow behind the visor slit. Where a human head would wear goggles, a pair of round optical lenses is clamped up on the helmet brow, unused, riding above the eye-line. On the right, the second Autobot, shorter and leaner, built from patched white and orange panels with exposed hydraulic ribbing at the waist; a red cropped plate seals only the upper chest and leaves a band of bare dark alloy midriff between chest and pelvis, and both hands are wrapped in blue gauntlets cut off at the knuckle so the bare metal finger-joints show through. That second mecha mirrors the gesture, pointing low and slightly forward with the right arm, elbow locked, the finger aimed past the near shoulder of the first, his head tipped down and eyes fixed on the same far point. Both gazes land on the same off-frame target ahead and below -- a speck of lit city between the rooftops -- and the taller one's chin is angled back as he follows his own pointing line. Contact is all explicit: feet flat on the deck, the shorter mecha's left heel braced against a roof vent lip, his hip almost touching the other's forearm plate without touching it, the two pointing lines crossing in air above the gap between them, and no other body in the frame. The light source is a single sodium work-lamp on a pole behind and left of them; it rims both silhouettes in warm orange along the left edge of every panel, drops their faces into deeper shadow on the right, and throws two long fused shadows forward across the wet deck, where the only sharp reflections are the broken vertical streaks of the lamp in standing water between the seams. Palette limited to red, blue, silver and orange against a night sky of deep indigo, with the white-orange second body reading lighter against it. The rooftop's edge drops away behind them into a flat field of distant windows reduced to illegible pinpricks. Quiet, imposing tension.
เอกฤทธิ์ มะสีหา
#Male#standing#Sky
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Avatar image of เอกฤทธิ์ มะสีหา
copyright: transformers 2girls? no, 1girl, 1boy, 2 subjects, child, loli, brown hair, blue eyes, black armor, autobot emblem, human characters, transformers theme, from below, low angle, dutch angle, standing on rubble, looking up, foreshortening, armor plating, mechanical joints, wide shot, sky background, dramatic perspective, robot silhouette behind, smoke, debris, dust motes, lens flare, dusk, orange sky, teal shadows, determined expression, clenched fist, outstretched arm Low-angle dutch-angle wide shot, tilted so the horizon rakes diagonally across the frame. Two small human children stand on a heap of broken concrete rubble in the foreground, dwarfed beneath a colossal Autobot silhouette that looms behind and above them, its head cropped by the top edge of the frame. On the left, a boy with short brown hair and blue eyes, his slight child's body sheathed in black segmented armor plates fitted over his shoulders, chest and shins, an Autobot emblem stamped on the left breastplate; his weight rides on his forward right leg planted on a jutting slab, left foot back and braced on a lower chunk, one fist clenched at his hip, the other arm flung out and up toward the giant machine behind him, face turned three-quarters up in profile, jaw set, brow furrowed, eyes fixed on the Autobot's head. On the right, a small girl with brown hair gathered loosely and the same blue eyes, in matching black armor, smaller and lighter in build, her torso twisted toward the boy as she half-turns, one gauntleted hand gripping the edge of a rebar-torn slab for balance, knees bent, chin lifted as her gaze snaps from the boy's outstretched arm up to the towering silhouette, mouth parted in a sharp intake of breath. Both children are fully human, small flesh faces and hands emerging from the hard black plating; the armor's seams catch a thin rim of light. The Autobot behind them is a faceless mass of angular metal shoulders and a broad chest plate, its own emblem faintly visible, rendered mostly in silhouette so the two children's faces stay the focus. The metal of the children's armor carries scuffed edges and dust settled on upward-facing plates, fine gray powder in the seam grooves and on their exposed hair, never on the undersides. Orange dusk light pours from the low right, backlighting the giant and rimming the children's hair and shoulder plates in gold, while their front faces sit in cool teal shadow; a smoky haze thickens with distance, dust motes drift as bright specks through the flare, and a long shadow of the boy stretches across the rubble toward the lower left. Long cast shadows from the rubble chunks rake left, sky a graded orange to dusty teal, heavy contrast, gritty and heroic.
เอกฤทธิ์ มะสีหา
#standing#Knife#Short Hair
AI artwork
dc
character: galvatron, rodimus_prime, galvatron_standing_atop_a_ridge_of_scorched_metal, rodimus_prime_dives_aside_through_the_explosion_and_returns_fire_with_his_ion_blaster, copyright: transformers, transformers:_generation_1 2 giant robots, wide cinematic action composition, wide shot, dutch angle, galvatron standing atop a ridge of scorched metal, firing devastating beam from orange forearm cannon, rodimus_prime diving aside through explosion, returning fire with ion blaster, trails of energy crisscrossing the frame, smoke and embers, silhouettes rimmed in firelight, stormy crimson sky, dramatic backlighting, burning wasteland, 1980s retro mecha anime style, cel shading, G1 transformers look, purple and orange armor, red eyes, blue eyes, mid-air dodge, foreshortening, intense battle atmosphere, no readable text, energy beam clash in center frame The camera looks up from behind the outcrop at the ridge in a wide dutch angle tilted about ten degrees, two giant robots filling opposite halves of the frame with the stormy crimson sky behind them. Galvatron stands atop a ridge of scorched metal at upper left, boots planted wide on the buckled plating, weight braced on his right leg, torso coiled back and then driven forward; his left arm thrusts out at full extension with the orange forearm cannon angled down across the frame, and the beam erupts from its barrel mouth as a hard white core sheathed in orange and violet, screaming toward the lower right. Rodimus Prime is caught in mid-air on the right, diving aside through the explosion: his body twists through the dodge, one leg trailing up and back, the other knee drawn under him, one shoulder dropped; his ion blaster is gripped in his right hand, arm snapped back toward Galvatron, and the muzzle blooms as he returns fire, a second beam streaking up and left. The two energy trails cross in a hard X near frame center, with thinner bolts and afterimages laced through them, so the frame is crisscrossed by light. Smoke and embers whirl around both silhouettes; embers are dashed dots dragged into short streaks by the blast wind, drifting outward from the crossing point. The light comes from the firestorm behind them and the explosion itself: every edge of both robots is rimmed in firelight — orange-amber along shoulders, helmets, forearms and shins — while their front faces fall into deep shadow, so the two read as dark silhouettes with glowing contours against the crimson. The burning wasteland unfurls below and behind: blackened ground split with molten seams glowing dull red-orange, cracked hulks of metal, scrub fires smoking in the middle distance, and the whole upper half of the frame given to a stormy crimson sky in heavy bruised bands, lit from within by the fires. Palette is disciplined: crimson and black in the sky and wasteland, orange and fire-gold in the rim light, sparks, cannon and explosions, violet and white only in the energy trails. Cel-shaded hard-edged shadows, crisp ink linework, 1980s retro mecha anime rendering with flat color zones and painted matte sky. The explosion's shockwave flattens the smoke into concentric rings and presses the flames low near the ridge. Intense, blazing battle atmosphere.
dc
#Transformers#Optimus Prime#Megatron

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character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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1#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
16#Kagamine Rin#Vocaloid#Lofi Dream
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#Attack on Titan#Mikasa Ackerman
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