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Yuko Yoshida

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Yuko Yoshida

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1girl, wadanohara\(oounabara to wadanohara\), game accurate, wadawitch, blue dress, blue hat, witch hat, blue boots, open mouth, blush, standing, legs together, by ocean, sea, blue theme, full body, artist DSP, mogeko, artist funamusea, white tights, upskirt, embarrassed, butt, facing away, wind blowing up dress
Show Parameters
Original Prompt
DSP, wadanohara, oounabara to wadanohara, game accurate, wadawitch, blue dress, blue hat, witch hat, blue boots, open mouth, blush, standing, legs together, by ocean, sea, blue theme, full body, DSP, artista:DSP, mogeko, artista funamusea, white tights, upskirt, embarrassed, butt, facing away, wind blowing up dress
Size
768 x 1280
Sampling Steps
20
Sampling Method
Euler a
CFG Scale
6
Negative
lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, censor,blurry, white skin,watermark,simple background, transparent background

Model & LoRA used

ZUKI cute ILL - AI Model cover image

SDXL

ZUKI cute ILL
1.01k
Wadanohara (大海原) - Character LoRA for Pony XL - AI Model cover image

User LoRA

Wadanohara (大海原) - Character LoRA for Pony XL
10
funamusea art - AI Model cover image

User LoRA

funamusea art
292

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AI artwork
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artist: arua 1girl, solo, blonde hair, long hair, wavy hair, side hair strands, blue eyes, braided ponytail, thick braid, pink hair bow, pink hair ribbon, hair ornament, witch hat, brooch, pink necktie, white shirt, collared shirt, sleeveless shirt, dress, detached sleeves, long sleeves, wide sleeves, from below, cowboy shot, dutch angle, standing on one leg, arm up, holding hat brim, head tilt, looking up, light smile, one eye closed, wind, empty sky background, Shot from below on a slight dutch tilt, the camera canted a few degrees so the horizon runs off-level and the figure gains presence against open air. A single young woman balances on her left leg, right knee lifted and crossed slightly in front of the standing thigh, right foot tucked behind the calf — weight fully on the left foot, left hip pushed out, torso leaning back a touch to counterbalance. Her right arm is raised, fingers wrapped around the front brim of her witch hat, gripping the felt at its edge, thumb under the underside of the brim; the elbow is bent and angled out so the hat lifts a finger's width off her hair, the crown tilted back. Left arm hangs free with the wide detached sleeve falling away from the forearm in a long loose funnel of cloth, cuff pooling toward the wrist. Her head tips back and to her right, chin up, so the underside of her jaw and the line of her throat catch the light; both blue eyes are open but the left lid lowers in a light wink, one corner of her mouth pulled into a faint closed-lip smile that is more mischief than politeness. Gaze is cast up and off to the upper left of the frame, past the lens, at nothing in particular — she is watching something in the air, not the viewer. Her blonde hair is long, wavy and heavy, with fine loose strands escaping at the temples and curling beside her cheeks; the bulk of it is gathered into a thick braid drawn back into a braided ponytail that swings down past her shoulder blade and hangs behind her raised arm, its plait clearly readable as overlapping rope-like sections, stray wisps pulling free along its length from the wind. A pink hair bow with trailing pink ribbon ties the braid where the ponytail begins, and a hair ornament sits tucked against the gathered hair at that same point. The witch hat is a deep-crowned wide-brimmed cone pinned slightly back on her head by the lift of her hand, its brim shadow cutting a soft diagonal band across her forehead just above her brows. At her throat a pink necktie is knotted under the collar of a white sleeveless collared shirt — collar points crisp and open, bare shoulders and bare upper arms outside the shirt, the tie hanging down over her chest. A brooch pins the tie's knot. Over the shirt she wears a dress whose skirt is caught mid-sway, lifted by her raised knee so the hem breaks into folds on the left and pulls taut across the front of the lifted thigh. The detached sleeves are separate from the shirt entirely: long, wide, and unattached at the shoulder, banded around the upper arm and flaring from there to the wrist. A steady wind moves across her from her left: it pushes the wide sleeve cuffs back toward her elbows so the fabric bellies open, lifts the free ends of the pink ribbon from the braid so they stream sideways, drags the loose temples strands across her cheek, and shoves the skirt hem fully to one side — while the hat, held down by her fingers, stays put against the same gust, which is what makes the wind visible. Behind her is nothing but an empty, pale, high-key sky, a clean field of cool white-blue that darkens almost imperceptibly toward the top of the frame; there is no ground line, no landmark and no second figure anywhere in it. Sunlight comes from the upper right, striking the right side of her face, the top of the raised forearm and the crown of the hat, leaving the left side of her jaw and the underside of the brim in cool shadow; the hat's cast shadow falls across her brow and the bridge of her nose, and a soft shadow of her raised arm crosses the shirt below the shoulder. Palette tight and deliberate: blonde gold, clean white, and pink as the one saturated accent landing in exactly three places — the necktie, the bow with its ribbon, and the brooch — set against pale blue sky and blue eyes, with the witch hat a deep dark note anchoring the top of the composition. Crisp cel-shaded linework, flat clean colour with hard shadow edges, no grain, no vignette. Airy, playful, light as a skipped step.
Djdjd Djd

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