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gordo fonki

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1girl, cybernetic, futuristic, metallic skin, nanotechnology, liquid metal, black bodysuit, nanofiber suit, braided hair, bronzed skin, intelligent gaze, cold expression, morally ambiguous, powerful stance, precise movements, distant look, masterpiece, ultra detailed, sci-fi
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Original Prompt
cybernetic woman, futuristic appearance, metallic skin, nanotechnology texture, liquid metal effect, black bodysuit, nanofiber suit, braided hair, bronzed skin, intelligent gaze, cold expression, morally ambiguous, powerful stance, precise movements, dista
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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AI artwork
dn
year_2025 1girl, solo, mature female, curvy, huge breasts, wide hips, thick thighs, narrow waist, black hair, streaked hair, silver hair, two-tone hair, hair updo, long sidelocks, hair tubes, grey eyes, catchlights, smile, closed mouth, light smile, tactical clothes, tactical bodysuit, black bodysuit, holding gun, dual holding, holding two guns, one gun in each hand, ((three-quarter view)), from front, straight-on, facing viewer, standing, simple background, cel shading, high contrast, vibrant colors, (sharp focus:1.4), (clean lines, sharp lines, crisp lines, bold lines:1.5), looking at viewer, cowboy shot, A single adult woman stands square to the frame in a straight-on front view that opens into a ((three-quarter view)), her torso turned a few degrees to her left so the near shoulder reads closer to the lens while her face stays turned to the viewer. She is caught mid-motion, weight settled onto her back right leg with the left hip pushed out and the left knee slightly bent, her stance wide and planted like a shooter's ready position. Her black hair is swept into a tight high updo, and long sidelocks fall in two clean blades past her jaw to her collarbones; silver streaks run through the black in narrow ribbons that catch the light along the crown of the updo and the outer edge of the right sidelock. Two cylindrical hair tubes clamp the base of the updo, one above each ear, glossy and hard-edged. Her grey eyes carry bright pinpoint catchlights in the upper-left of each iris, and her smile is a light, closed-lip curve with the corners just lifted, chin lowered a fraction, one brow a hair higher than the other so the look reads confident rather than polite. Both arms are raised and bent at the elbows, and each hand grips a matte black handgun with the muzzle angled upward and outward — the right gun canted toward the upper right of the frame, the left gun slightly lower and mirrored — index fingers laid straight along the trigger guards, wrists locked, the webbing of each thumb pressed high into the backstrap. She wears a dark tactical bodysuit that hugs the curve of her bust, waist and hips, with reinforced panelling across the chest, segmented seams running down the ribs, a low-profile belt of pouches at the hip and a high collar; the fabric pulls into fine tension creases where the shoulders rotate and where the belt cinches the waist, and the suit's surface alternates between a soft sheen on the stretched panels and a matte weave at the seams. Sheer specular highlights ride the top of the updo, the rims of the hair tubes and the slide of each pistol, while the undersides of her chin, bust and the shadowed side of the suit stay deep and cool. The background is a simple, seamless studio sweep in a muted desaturated grey-blue that darkens toward the frame edges, holding no objects and no readable lettering. A single soft key light stands high and to the front-left, carving the lit planes of her face, the near shoulder and the outer curve of her chest, throwing the far side of her jaw and the inner planes of her arms into cooler shadow, with a faint rim separating her silhouette from the ground and a soft contact shadow pooling under her stance. The palette is disciplined to black, silver-white, cool grey skin-shadow and the dark steel of the guns, with the vibrant colour concentrated in the warm skin tones and the clean silver highlights so the high contrast reads as bold shape against shape. Every edge is crisp and deliberate — hard cel-shaded shadow boundaries with no gradient mush, bold contour lines, and each catchlight, seam and hair streak rendered with a sharp focus that keeps the smallest glint readable. Effortlessly cool, quietly dangerous.
dragon negro

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