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harrynguyen2003
Show Parameters
- Original Prompt
- Crash is a 2004 crime drama film directed by paul haggis, who co-wrote the screenplay and produced the film with robert moresco. a self-described passion piece for haggis, the film features racial and social tensions in los angeles and was inspired by a real-life incident in which haggiss porsche was carjacked in 1991 outside a video store on wilshire boulevard.3 the film features an ensemble cast, including sandra bullock, don cheadle, matt dillon, jennifer esposito, william fichtner, brendan fraser,
- Size
- 1280 x 768
- Sampling Steps
- 50
- Sampling Method
- DPM++ 2M Karras
- CFG Scale
- 15
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Face Fix
HiRes
Model & LoRA used
Similar Images
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vt
character: sam_winchester, dean_winchester
2boys, 2men, front view, inside car, car interior, black interior, vintage car, dashboard, steering wheel, front seat, driver, passenger, upper body, nighttime, dark lighting, short hair, brown hair, stubble, amber eyes, collared jacket, shaggy hair, parted bangs, dark hair, green eyes, serious expression, anime screencap, anime screenshot, cel shading, muted colors,
Front view looking directly through the front windshield into the black interior of a 1967 vintage hardtop sedan, framing two men seated side-by-side on the front bench seat. On the right side of the frame, the driver sits upright behind the black three-spoke steering wheel, both hands resting on the textured rim; he has short, spiky brown hair, light stubble along a square jawline, focused hazel-amber eyes, and wears a brown canvas utility jacket over a dark collared work shirt. To his left, the passenger sits slightly lower, his broader frame angled inward; he has shaggy, shoulder-length dark brown hair parted down the middle, sideburns framing his face, a small mole below his eye, and clear green eyes directed across the cabin at the driver. The black vinyl bench seat visibly compresses beneath their weight, and the wide black metal dashboard spans the lower foreground, accented by round analog dials and horizontal chrome trim. The dark cabin is lit primarily by the pale green luminescent glow rising from the instrument cluster, illuminating their knuckles, the lower folds of their jackets, and the underside of their jaws, while cool desaturated ambient moonlight filters through the windshield glass from the dark open highway behind. A faint, inverted specular reflection of the illuminated dashboard speedometer glints in the corner of the front windshield. Linework and rendering feature flat cel-shading with slightly muted saturation and a vintage digital broadcast quality typical of early 2000s television animation. Gritty resolve.
Vanessa T. Correa
Recasting Pulp Fiction
Newtopia
vt
character: sam_winchester, dean_winchester
2men, photorealistic, realistic, live action, cinematic lighting, car interior, inside car, front view, medium shot, sitting, driver seat, passenger seat, hands on steering wheel, bench seat, dashboard, steering wheel, rearview mirror, short hair, brown hair, spiky hair, stubble, layered clothes, brown jacket, jacket, shaggy hair, black hair, sideburns, mole under eye, green eyes, night, car window, dim lighting
Front view looking from the dashboard directly into the front bench seat of a black 1967 full-size hardtop automobile cabin. On the left, in the driver's seat, a man with short textured brown hair and light stubble sits upright behind the thin black two-spoke steering wheel. His left hand holds the upper rim at ten o'clock while his right hand rests loosely on the lower spoke, his broad shoulders filling a heavy brown canvas jacket worn over layered dark shirts. His head is turned slightly to his right, aiming a sharp, knowing sidelong glance across the cabin. Beside him in the passenger seat, a taller man with shaggy dark hair parted down the middle and falling along his jawline slouches slightly to accommodate the low roofline, his sideburns framing his face and a distinct mole resting beneath his left eye. Wearing a dark field jacket over an open buttoned shirt, he leans his right shoulder slightly toward the door panel while resting his hands loosely clasped over his knee, returning an attentive, questioning gaze at the driver. Both men sink into the ribbed black vinyl bench seat, their weight creating shallow creases along the upholstery. Between them, the authentic vintage dashboard features chrome-bezel analog gauges, horizontal metal trim, and a classic radio face, while the rear-view mirror hangs centered from the top windshield frame. The primary lighting comes from passing amber streetlamps through the windshield glass, casting long warm highlights that slide across their profiles and the polished black surface of the car hood visible outside. Downward-facing surfaces of their knuckles and jawlines are illuminated exclusively by the faint, pale green glow rising from the backlit dashboard dials. Cinematic live-action film rendering with realistic textures and photographic lighting. A mature anime style with glossy, high-finish rendering and soft lighting. Skin is carefully blended with subtle gradients and warm highlights, giving a polished, almost airbrushed look. The mood is intimate and sensual, with controlled color harmony and smooth, minimally visible brushwork. Intimate tension.
Vanessa T. Correa
c4
ルパン三世と次元大介
conan48694862
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