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AI artwork featuring #Bara, #Angel Wings and #2 Boys
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Bara, Angel Wings

#Bara#Angel Wings#2 Boys
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1 cherub. an (overweight,) exuberant, blonde, (plump,) cherub, male, rock musician Love God(Gravity Falls). He has several tattoos, a brown cuff on his right wrist, a necklace with both male and female gender symbols, small feathered wings, a hemp belt rope around his waist tied with jars of love potions. He wears a grey, horizontal-striped tank top; flip-flops; pink backpack; cutoff shorts. He is surrounded by floating hearts, if they overlap with him we get a peak of a beast of many, eyes, and feathery wings,CharacterDesignXL , (CharacterSheet:1), reference sheet, (full body, from side, front:1.1), upper body, cartoon, simple white background
Show Parameters
Size
992 x 768
Sampling Steps
25
Sampling Method
Euler
CFG Scale
4.5
Negative
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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AI artwork
mt
reference sheet, character sheet, two views, front view and back view, full body, 1girl, solo, female, anthro goat, furry goat, medium height, curvy, stocky, strong but slender arms, large round breasts, wide hips, big thighs, two-toned fur, brown fur, light brown fur, thin angled eyes, green eyes, deep brown hair, ponytail, bright yellow hair clip, slightly curved goat horns, floppy small goat ears, small muzzle, black button nose, square reading glasses, interested expression, light blue open button-up shirt, white t-shirt, shorts, light colored background, standing, arms relaxed, looking at viewer, cel shading, flat rendering, bright colors, high contrast A character reference sheet on a seamless pale warm-grey ground that holds nothing else: no horizon, no props, no cast environment. Two full-body figures of the same anthropomorphic goat woman stand side by side on one shared ground line, spaced evenly, each framed head-to-toe with a clean margin above the horns and below the feet. On the left, the FRONT VIEW: she faces the camera squarely, chin lifted a touch, weight settled onto her right leg with the left knee eased slightly forward so the wide hips and big thighs read as one solid, stocky mass. Her left arm hangs relaxed with the fingers loosely curled; her right forearm crosses lightly at her waist, thumb hooked in the waistband of her shorts, keeping the elbow soft and the strong-but-slender arm clear of the silhouette. Her thin angled green eyes are lowered a fraction behind the square reading glasses, focused slightly off to the side of the lens as though she has just caught sight of something worth studying -- brows level, one lifted almost imperceptibly, lips closed and faintly parted at the corner: an interested, quietly assessing look, not a smile for the viewer. On the right, the BACK VIEW of the same woman, turned away: the long deep brown ponytail falls down the center of her back, its tie at the crown holding a bright yellow hair clip that sits where the crown meets the tail; the two floppy small goat ears droop out to either side below the slightly curved goat horns, and the shirt collar rides against the nape. Her arms hang at her sides, palms turned slightly inward, and her weight mirrors onto the opposite leg so the back view reads as the same body rotated, not a second body. Her fur is a two-tone pattern that stays identical across both views: light brown as the base across the shoulders, arms, chest and belly, with a deeper brown mask around the eyes and muzzle, deep brown down the outsides of the limbs and the tops of the thighs, and a soft brown dorsal patch running the length of the spine in the back view. The small muzzle protrudes modestly from a rounded face, its black button nose a tight glossy oval at the tip; the mouth stays small beneath it. The slightly curved goat horns sweep up and back from the crown in a short arc, visible in both views at the same angle. Her build is deliberately heavy and grounded -- broad, full bust, wide hips, thick thighs, a compact medium height -- with the arms somehow both sturdy and slender, tapering to neat hands. The outfit reads identically from both sides: the light blue open button-up hangs unbuttoned over a plain white t-shirt that stretches across the bust, the collar folded down and the sleeves pushed to the elbows; the shorts sit at the natural waist and cover the hips, hem well above the knee. Everything is rendered hard-edged and graphic: flat cel fills, one crisp shadow tone per color, no gradient modeling, bright saturated blue and yellow against the pale ground, high contrast between the deep brown fur masses and the white shirt. A thin, even contact shadow pools directly under each pair of feet and nowhere else, confirming the two figures share a single ground plane. Clear, catalog-like, effortlessly readable.
MasterThief64

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