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AI art "LoRA Test"
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LoRA Test

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亜欄

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Tsubaki - AI Model cover image

PixAI DiT.1

Tsubaki
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[Dit&IL2.0] 花札 -Hanafuda (PixAI) - AI Model cover image

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[Dit&IL2.0] 花札 -Hanafuda (PixAI)
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1girl, solo, elegant adult woman, japanese traditional dress, kimono, obi sash, intricate floral pattern, geometric pattern, gold thread embroidery, silver thread embroidery, silk fabric texture, soft warm lighting, light rays through window, gentle shadows, depth of field, blurred background, warm golden palette, serene expression, light smile, half-closed eyes, looking down, kneeling, seiza, hands folded in lap, interior, tatami room, shoji windows, from side, profile, medium close-up, three-quarter view of kimono, masterpiece, best quality, high detail fabric Seen from the side in a medium close-up, an elegant adult woman kneels in seiza on a pale tatami floor, her body turned three-quarters toward the camera so the whole sweep of her kimono reads from shoulder to knee. Her weight settles back onto her heels, spine upright and calm, the folds of the silk pooling in a shallow crescent behind her hips where the fabric meets the mat. Her hands lie folded one over the other in her lap, fingertips loose and relaxed against the wide front panel, thumbs barely touching; the obi sash wraps high at her waist in a broad shimmering band, its knot tucked at her back and only the thick rolled edge of it visible past her hip. Her chin is lowered a fraction, lashes half down, a faint closed-lip smile at the corner of her mouth, her gaze resting on her own hands rather than on the lens. The kimono is the detail budget of the image: dense floral sprays of blossom and leaf interlace with crisp geometric lattice across the shoulder and sleeve, and every petal edge and lattice line is picked out in gold and silver thread that catches and releases the light as the fabric curves over her arm and drape over her knees. Warm daylight enters from a shoji window behind her to the upper left, the paper screen diffusing it into a soft amber glow; it grazes the top of her shoulder, the outer curve of the obi, and the front crest of each fold, while beneath her chin, under the sleeve's inner edge and in the well behind her back the shadows fall gentle and warm-toned rather than black. Her cast shadow spreads short and soft across the tatami at her knees, and the shadows of the window's wooden lattice stripe the floor faintly. Behind her the room dissolves into soft blur: the pale shoji grid, a dark low tategu cabinet, a single branch of blossoms in a low vase, all rendered at open aperture so the background melts into creamy amber and umber without competing with the embroidery. Palette is warm gold, champagne and deep indigo with silver highlights confined to the thread. Serene and quietly refined.
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A highly realistic, knee-up digital illustration of the character from image1 in the pose and setting of the central fan-throwing girl from image2. The character has dark green hair in an updo with red flower hairpins, golden eyes, and wears a vibrant orange kimono with floral and maple leaf patterns and a black obi. She is kneeling on a tatami mat with her right arm outstretched, tossing an open folding fan into the air. The setting is the traditional Japanese room from image2, featuring shoji screens, a Tosenkyo target stand, and other seated women in kimonos. The style is changed to a high-quality, highly realistic anime rendering with detailed textures and lighting. overlay text: The Japanese characters '投扇興' are written in the top right corner.
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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