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1girl, serval landau\(honkai: star rail\), morning, bedroom, warm lighting, soft sunlight, wooden nightstand, empty wine glass, scattered sheet music, slightly messy bed, lavender scent, lying on side, wearing oversized white men's shirt, partially buttoned, deep cleavage, fair skin, erect nipples visible through thin fabric, shirt barely covering thighs, hint of buttocks curve, one hand supporting head, other hand lightly touching bedsheet, lazy and intimate pose, gentle smile, blue eyes, loving gaze, direct eye contact, playful and teasing expression, slight blush, first-person perspective, close-up, focus on face and eyes, cleavage and nipple outline, soft golden light, white bedsheet and shirt, wooden brown nightstand, light purple ambiance, masterpiece, ultra detailed, looking at viewer
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Original Prompt
人物：崩壞：星穹鐵道角色希露瓦（Serval Landau） 時間：清晨 場景：溫馨臥室，柔和晨光從窗簾縫隙灑入，木質床頭櫃上放著空酒杯與散亂樂譜，床單微微凌亂，散發淡淡薰衣草香 動作：希露瓦側躺在柔軟白色床單上，身穿一件大號男裝白色襯衣，僅下半部扣了三顆紐扣，上半部敞開，露出深邃乳溝與大片雪白肌膚，乳頭在薄透襯衣下撐起誘人輪廓，襯衣下擺勉強蓋住大腿根部，隱約露出臀部曲線，她一手輕撐頭部，另一手輕撫床單，姿態慵懶而親密 表情：希露瓦嘴角微微上揚，綻放溫柔微笑，藍色眼眸含情脈脈，目光直視觀者（第一人稱視角），眼角帶一絲俏皮與挑逗，臉頰泛起淡淡紅暈 道具：大號男裝白色襯衣（薄透材質），凌亂床單，床頭櫃上的空酒杯與樂譜 鏡頭角度：第一人稱視角，近景，60%聚焦希露瓦的臉部與含情眼神，30%呈現敞開襯衣下的乳溝與乳頭輪廓，10%顯示臥室背景與晨光 光影：柔和晨光從窗簾縫隙灑落，勾勒希露瓦的肌膚與襯衣曲線，乳頭輪廓在光線下更顯誘人，臥室背景略模糊，營造親密氛圍 色調：柔和金黃（晨光）、純白（床單與襯衣）、木棕（床頭櫃）、淡紫（薰衣草香氛圍） Negative Prompt：過亮日光、擁擠背景、多餘人物、不真實比例、厚重衣物、冷淡表情、男性角色
Size
1280 x 768
Sampling Steps
10
Sampling Method
Euler a
CFG Scale
2.5
Negative
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose

Model & LoRA used

Vidrohằh - AI Model cover image

SDXL

Vidrohằh
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[PonyXL]希露瓦/serval/セーバル Honkai:StarRail - AI Model cover image

User LoRA

[PonyXL]希露瓦/serval/セーバル Honkai:StarRail
8

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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2#Attack on Titan#Mikasa Ackerman
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