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jbackISNOThere
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- Size
- 714 x 400
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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Cloaked Terror 2
idiotmachinist
e
Appearance: A mysterious humanoid figure with a gaunt, skeletal, corpse-like face emerging from deep shadow. The face is pale gray-white with an emaciated structure, sunken cheeks, sharply pronounced brow and cheekbones, and dark vertical cracks or streaks running down from the nose and mouth area. The eyes are large, deeply shadowed, and intensely luminous pale gray-white, creating a piercing stare directly toward the viewer. The upper-left portion of the head is partially obscured by a mass of loose, rough black hair or shadow, while the remaining head is covered by a large pale-gray hood or veil.
The figure is wrapped tightly in an enormous dark cloak that covers the shoulders, neck, torso, and lower body. The cloak rises high around the face like a protective shroud, with several broad overlapping folds crossing diagonally beneath the chin. The fabric is nearly black in the deepest areas, transitioning into charcoal and muted gray highlights along the folds. Its edges dissolve into loose painterly brushstrokes rather than having clean boundaries. The hood extends far behind the head and over the right shoulder, forming a large curved pale-gray silhouette.
Scene: A solitary dark-fantasy portrait against an almost completely empty smoky charcoal-gray background. The composition is centered on the figure's face and upper body, with the head positioned slightly above center. The surrounding background gradually becomes lighter immediately behind the hood and darker toward the outer edges, producing a subtle atmospheric halo around the silhouette.
The figure is shown from the chest upward, with most of the body disappearing into darkness. The cloak occupies the lower half of the composition as a broad irregular triangular mass. Its folds sweep diagonally from the lower-left toward the face and then downward toward the lower-right, creating a strong layered wrapping effect.
The hood is large and asymmetrical, forming a soft arch over the head. Its pale-gray outer surface catches diffuse light, while the interior around the face remains dramatically dark. The hood's right side extends much farther downward than the left, creating a long curved veil-like shape that fades into the surrounding background.
The painting style is loose monochromatic digital concept art with heavy dry-brush texture. Edges are intentionally rough and unfinished, with visible brush streaks, broken contours, smeared charcoal-like marks, and translucent layers of gray pigment. The face has sharper rendering and higher detail than the surrounding cloak, making the eyes and skeletal facial structure the focal point. Large portions of the cloak and background dissolve into broad gestural strokes.
Lighting is extremely soft and atmospheric. A muted gray-white glow surrounds the face and upper hood from behind, separating the figure from the dark background without creating a hard outline. The eyes remain the brightest and most sharply defined points. Deep black shadows surround the eye sockets, nose, mouth, and cloak folds, producing strong tonal contrast.
Strict monochrome palette: black, charcoal, graphite gray, muted silver-gray, pale cold gray, and off-white highlights. No saturated colors. No visible environment, architecture, props, or scenery—only the solitary shrouded figure emerging from smoky darkness.
Dark gothic fantasy portrait, grim reaper-like apparition, skeletal masked face, luminous eyes, enormous hooded cloak, atmospheric charcoal painting, expressive dry-brush strokes, soft smoky background, high tonal contrast, rough painterly edges, ominous stillness, mysterious supernatural presence, cinematic portrait lighting.
delicate thin lineart, soft colored lines, low contrast, muted palette, pastel tones, smooth gradients, soft shading, gentle lighting, subtle shadows, minimal highlights, airy feel, watercolor texture, Solveig style, semi-real, lips, nose.
Elias
ぜ
A mature male ninja, framed in an extreme close-up from a low-angle POV, his face very close to the viewer and occupying the lower center of the frame. He wears a traditional black ninja hood that covers his entire head and neck, with only his eyes visible through a narrow opening; his lower face is concealed by a black cloth mask. His sharp, sanpaku eyes have a heavy-lidded, softened gaze, showing restrained affection and quiet intensity despite a prominent diagonal scar crossing one eyebrow. The upper half of the image is dominated by a beautiful traditional Japanese ceiling with ornate painted panels, dark wooden beams, and subtle golden details, with moonlight filtering through the room. The scene is set in a dark, atmospheric tatami room with cinematic nighttime lighting that illuminates his eyes, creating deep shadows around his hood and a sense of intimate distance, quiet dominance, and mysterious sensuality. The composition has a shallow depth of field and a sophisticated dark fantasy anime aesthetic.
ぜたあざ
あ
謎に包まれた仮面の男
あ
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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