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RPK-16, Girls' Frontline

#Girls' Frontline#RPK-16
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1girl, TOP QUALITY, masterpiece, cinematic lighting, ultra aesthetic anime, porcelain skin, Yui, solo, long hair, black hair, indoors, official art, official style, anime coloring book, best quality, high resolution, shizuku kousaka (na honjaman level up), short hair, blonde hair, purple eyes
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Original Prompt
girl, (((TOP QUALITY))), masterpiece, cinematic lighting, ultra aesthetic anime,improve_image,porcelain Skin,improve_image,porcelain Skin,improve_image,porcelain Skin,improve_image,porcelain Skin,Yui,solo,long hair,black hair,indoors,official art,official style,anime coloring book,masterpiece,best quality,high resolution,improve_image,porcelain Skin,<lora:shizuku_kousaka-na_honjaman_level_up_s2-pxl-anime-soralz:1>,shizuku kousaka (na honjaman level up),short hair,blonde hair,purple eyes,
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
1.1
Negative
lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, transparent background, censored, (simple background:1.4), artist name, signature, watermark, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked
Face Fix
HiRes

Model & LoRA used

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AI artwork
Avatar image of Estaxia
character: lumine_(genshin_impact). A low-angle, front-facing shot depicts lumine_(genshin_impact) sitting on the edge of a plush bed in a luxurious, high-class pink hotel bedroom. She has short blonde hair with long locks and yellow eyes, looking away with a complex, nuanced facial expression. She is wearing a white, frilled, see-through wide v-cut nightgown without sleeves, which reveals her bare shoulders. Her hands rest gently on the silken bedsheets beside her. The opulent room is decorated in various shades of pink, featuring ornate furniture and soft, ambient lighting. The perspective is from below, looking up toward her, emphasizing the height and depth of the lavish setting. The visual style is a high-quality anime illustration with a soft, romantic atmosphere and a warm, pastel color palette.
Estaxia
AI artwork
Avatar image of ウンコ大好きウンコ丸
A medium shot, 3/4 view of a mature woman standing in a home living room. She is a 46-year-old adult with long blonde hair and long bangs that partially cover her left eye, and striking blue eyes. Her expression is one of extreme embarrassment, characterized by a deep blush across her cheeks and a shy, flustered look. She is dressed in a baby costume, featuring a soft, oversized white onesie with a delicate lace trim around the collar and cuffs, emphasizing her large breasts. She stands with her shoulders hunched and her hands fidgeting together in front of her. The background is a cozy, well-lit living room with a soft-colored sofa and household decor. The scene is rendered as a high-quality anime illustration with soft lighting, a warm color palette, and a gentle depth of field that focuses on the woman's embarrassed expression.
ウンコ大好きウンコ丸
AI artwork
Avatar image of ウンコ大好きウンコ丸
A medium shot, 3/4 view of a mature woman standing in a home living room. She is a 46-year-old adult with long blonde hair and long bangs that partially cover her left eye, and striking blue eyes. Her expression is one of extreme embarrassment, characterized by a deep blush across her cheeks and a shy, flustered look. She is dressed in a baby costume, featuring a soft, oversized white onesie with a delicate lace trim around the collar and cuffs, emphasizing her large breasts. She stands with her shoulders hunched and her hands fidgeting together in front of her. The background is a cozy, well-lit living room with a soft-colored sofa and household decor. The scene is rendered as a high-quality anime illustration with soft lighting, a warm color palette, and a gentle depth of field that focuses on the woman's embarrassed expression.
ウンコ大好きウンコ丸

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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