![Ohaguro Bettari (お歯黒べったり) - GeGeGe no Kitaro (ゲゲゲの鬼太郎) [IL] - AI Model cover image](https://images-ng.pixai.art/images/thumb/252ef511-b9b4-4681-9b39-b5e398f8d0c2)
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bear, masterpiece, ultra detailed, animal focus, fur, standing, forest background
尻毛脱毛中
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- Size
- 580 x 1024
- Sampling Steps
- 32
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, , poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, , mutated, , long body, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, bad ai-generated, nsfw, long neck, , skin spots, acne, the wrong limb, error, black line, excess hands, normal face, eyes mouth nose teeth hand's normal floor normal atmosphere
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A figure stands in a room that cannot exist, his body occupying the center of the frame while the space around him bends in ways that physics does not permit. His silhouette is humanoid but unstable — the edges of his form blur and shift, as though he is being drawn and erased simultaneously, some parts of his body rendered in sharp black detail while other parts dissolve into white static. His left arm is fully visible, coated in black, the fingers extended. His right arm fades to transparency at the elbow, the hand entirely absent, replaced by a cluster of white noise that crawls with visual artifacts. His face is turned three-quarters away from the camera, and where his features should be, the skin surface is wrong — it ripples, like the surface of water disturbed by a dropped stone, concentric rings spreading outward from a point between his eyes. His eyes are not visible. Where they should be, two black voids sit, empty, absorbing the light that touches them. The room around him is equally unstable: the floor tiles on the left side of the frame are rotated forty-five degrees, the wall behind him appears to be both flat and curved at once, the ceiling is reflected in the floor but the reflection shows a different room entirely. Small objects float near him — a black cube, a white sphere, a red triangle — each one casting a shadow that points in a different direction, suggesting multiple light sources that do not exist. Shot from a slightly elevated angle, wide framing, his body occupying roughly fifty percent of the frame while the broken room fills the rest. There is no single light source. The light comes from everywhere and nowhere, the shadows contradict each other, and the overall palette is black, white, and red with the red appearing only in the floating triangle and in faint veins that run through the floor like cracks in marble. Rendered as a surreal dark fantasy illustration with deliberately inconsistent perspective, visual artifacts treated as intentional style elements, and linework that breaks and reconnects unpredictably.
Grammy
fl
1girl, solo, 2D black stick figure, stick figure, solid black silhouette limbs, round black head, no face, minimal line art, hand-drawn sketch style, lying on floor, waking up, pushing up on one elbow, one knee drawn up, on the ground, dark concrete room, bare concrete floor and walls, dead campfire, extinguished fire, gray ash pile, ash mound, cold charred logs, frost on walls, frost crystals, ice bloom, cold breath vapor, from above, high angle, wide shot, dutch angle, looking up, small figure in large empty room, monochrome gray palette, cold blue-gray shadows, textured graphite linework, rough pencil hatching, visible sketch strokes
Seen from high above in a tilted wide shot, the room is a bare concrete box, and the stick figure occupies only a small fraction of it -- a single black ink-drawn silhouette curled on the cold floor near the center-left, small against the vast empty gray. The figure is caught mid-waking: on its right side, propped up on one bent elbow, black-ink forearm pressed flat to the concrete, the other arm loose and half-drawn across its chest, one knee drawn up with the foot planted, the other leg still flat along the floor. Its round black head is tilted up and away toward the far wall, the body's whole line angling upward off the ground as if just lifting itself from sleep. No facial features; the tilt and the propped elbow carry the waking. Freshly disturbed: the concrete under the near shoulder is slightly smudged with soot and the ash dust near the figure's outstretched leg is scattered outward in a thin dark smear where a hand has brushed it. A short distance to the figure's right, the campfire is completely dead -- a low mound of gray ash with a few blackened log ends half-buried, all heat gone, no ember, no glow, the ash mound slightly cratered in the middle where the coals collapsed overnight. Frost creeps across the concrete walls in pale crystalline blooms, densest at the floor line and along the corners, thinning toward the ceiling; a faint haze of the figure's own cold breath hangs just above its head as a few sketchy pale strokes. The only light comes from a single unseen high opening off-frame upper left: a cold, pale, slightly blue wash rakes across the floor and catches the tops of the ash mound and the frost crystals in thin bright highlights, while the right side of the room and the figure's far side fall into soft gray shadow; the shadow of the figure stretches short and soft across the concrete toward the lower right. Cold blue-gray and charcoal palette, the black of the stick figure and the gray of the ash as the only strong values against the pale frosted concrete. Minimal linework, loose graphite and ink sketch strokes, hatching kept sparse and rough, blank paper left breathing in the emptiness. Quiet, desolate, cold dawn after a night survived.
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o
？
ohno!!
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