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AI artwork featuring #Bound wrists, #Fairy Tail, #Erza Scarlet, #Dungeon and #Caph
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Erza Scarlet, Caph

#Bound wrists#Fairy Tail#Erza Scarlet#Dungeon#Caph
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Uzumaki Kushina,Red hair,long hair,dark gray eyes,clip, along with a second woman with long brown hair wearing a brown dress both of them captured extremely restrained and chained up
Show Parameters
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked

Model & LoRA used

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character: nikaido_chizuru, copyright: idolmaster 1girl, solo, kneeling, prison cell, stone floor, metal bars, handcuffs, shackles, leg cuffs, collar, sleeveless dress, off-shoulder dress, white minidress, bare shoulders, collarbone, very long hair, brown hair, high ponytail, wide ponytail, hair ribbon, curtain bangs, amber eyes, looking up, looking at viewer, proud, defiant, upright posture, full body, slightly from above, dramatic lighting, shadows, chiaroscuro Framed from a slightly elevated three-quarter angle in a full-body composition, a young woman kneels upright upon the damp stone flagstones of a medieval prison cell, maintaining an unyielding, dignified posture with her back straight and chin lifted. She is dressed in a sleeveless, off-shoulder pure white minidress that leaves her shoulders and collarbones exposed, its crisp fabric drawing taut across her thighs and gathering in soft folds where her knees press firmly into the stone ground. A solid dark metal collar clasps securely around her throat. Her wrists are bound together before her lap in heavy iron handcuffs joined by a short chain, while sturdy shackles encircle both ankles, their thick connecting links resting flat under gravity against the cold pavement. Her rich brown hair is gathered high into an enormous, voluminous ponytail tied with a dark bow, long strands tumbling over her back and trailing onto the floor while curtained bangs frame her face. Her glowing amber eyes look upward directly toward the viewer with fierce, aristocratic defiance, her lips held in a firm, resolute line. Cool pale moonlight streams down from a high barred window, casting sharp geometric bar shadows across the wet floor and etching brilliant silver highlights along her bare shoulders, white dress, and hair, leaving the mossy stone walls in deep shadow. Defiant dignity.
橫山育人
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copyright: friday_night_funkin' 1girl, solo, friday night funkin girlfriend, long auburn hair, two long side locks falling past waist, high side ponytail, blunt bangs, pale skin, red dress, off-shoulder dress, fitted crimson minidress, detached sleeves, long red sleeves, pale bare hands, black wristbands, bare shoulders, collarbone, black choker, chipped red polish, black thigh-high socks, pale thighs, full body, sitting on floor, one knee up, iron shackle, heavy iron cuff locked around right ankle, thick chain, chain links trailing across floor, bolt-ringed cuff, kneel, leaning back on both hands, head tilting, pout, puffy cheeks, half-closed eyes, looking at viewer, cracked concrete, empty room, concrete wall behind, cold light, from above, slightly high angle, foreshortening, dutch angle Seen from above at a slight dutch tilt, one figure sits low on cracked grey concrete in a bare empty room, her long auburn hair spilling down the panel of her back in two slim side locks that reach past her waist, blunt bangs cutting straight across her brow. Her weight rests back on both pale hands planted flat behind her hips, palms pressed into the concrete with the fingers splayed, elbows locked; her right knee is drawn up with the foot planted, her left leg folded under her, so her shoulders tip back at a lazy diagonal and her chin lifts. A heavy black iron cuff is locked around her right ankle: a thick hinged band with visible bolt heads and a D-ring, tight enough to dimple the sock where its rim bites in, and from that ring a chain of fat oval links runs away across the floor, each link lying flat and casting its own small hard shadow, the last links dragging out of frame past the bottom edge. Her black thigh-high socks are creased at the knee from the drawn-up leg, and where the cuff sits the fabric bunches above it. A black choker circles her throat above bare shoulders, her red off-shoulder dress cinching tight to her ribs, and her detached red sleeves cover her arms down to mismatched black wristbands. Her head tilts toward the lens with a puffed-cheek pout, one brow arched, eyes half-lowered under the look, red polish chipped on the fingers spread on the floor. Cold flat overhead light rakes down the concrete and drops her shadow and each chain link's shadow in parallel to her right, no other light and nothing else in the room; the palette is crimson, black and raw grey, nothing more. The polished iron reads brighter than the matte floor, and the chain stops cold a stride from her foot, empty, patient.
Sanic Monia

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