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- Original Prompt
- Majestic black raven, classic Magic: The Gathering artwork style, Rebecca Guay or Kev Walker inspired, dark enchanted forest background, moonlight filtering through trees, ethereal mist, vintage fantasy card game illustration, oil painting texture, rich dark colors
- Size
- 512 x 768
- Sampling Steps
- 20
- Sampling Method
- DPM++ 2S a Karras
- CFG Scale
- 11.1
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Model & LoRA used
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満月の夜空を飛ぶカラス
避難用
g
(masterpiece best quality 1.2) ultra-detailed mysterious deity character design extreme low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1entity solo The Ashen Crow a god that is a bird that burned and kept flying the body is avian and enormous and WRONG the god has the silhouette of a crow — a great black bird with a broad chest and a hooked beak and vast wings but the silhouette is all that remains the god was burned and the burning turned the body to ash and the ash did not scatter the ash HELD and the holding is the god the god's body is made of ash — compacted cinder and char and the remnants of a fire that consumed everything and left only shape the ash-body is black and the black is the black of carbon the black of everything that has been through fire and emerged as residue the surface of the ash-body is FLAKING the surface sheds ash in constant slow fall the ash drops from the god's wings and chest and body in a perpetual snow of grey-black flakes the ash falls and the falling is the god's breathing the ash collects at the god's feet in a mounting drift the god is building its own grave as it stands the god is creating the mound it will be buried in except the god cannot die because the god already burned to death and the death did not take the death became the god the death is the god's life and the life is ash the god's wings are the most vast feature the wingspread is forty feet the wings are not feathered the wings are ASH-SCULPTED the wings hold their shape through compacted cinder the wings are solid ash and the solidity is temporary the wings are slowly disintegrating the tips are ragged the edges are crumbling the wings are not built to last the wings are built to FAIL the god's wings are failing and the failing is the flight and the flight is the falling the god flies by falling and the falling is controlled and the control is the god the god's face is the crow's skull the beak is the only solid part the beak is black bone the beak is the original the beak survived the fire the rest of the skull is ash the eye-sockets are empty the eyes are not eyes the eyes are RED EMBERS two glowing red points in the ash-skull's hollows the embers are the last heat the last fire the last warmth the god will ever produce the embers are dying the embers have been dying since the fire that created the god the embers are the god's heartbeat the embers pulse — bright then dim then bright then dim the pulse is slowing the pulse is the countdown the god is dying the god has been dying since it was born the god's entire existence is one long death and the death is taking eons and the eons are running out the god's body is surrounded by a halo of falling ash the ash-snow is the god's atmosphere the ash is the god's weather the god carries its own climate the god is a drought with wings the god's claws are visible — black bone talons gripping nothing the talons are clenched the talons are the posture of something that was holding on when the fire came and the holding is permanent and the permanent is the god body language the god stands with the posture of something that has already died and does not know it the posture is rigid the posture is CORPSE-still the god does not move the god does not breathe the god does not live the god ENDURES and the enduring is the only verb the ash-body can perform the god is endurance shaped like a crow and the shape is failing and the failing is the mystery environment shown as a burned world — the landscape around the god is scorched the ground is black the sky is grey the world has already burned the god burned the world the god IS the fire that burned it the god is the arson and the arson is the ash and the ash is the god the god stands in the crematorium of its own making rim light along ash-body silhouette edges catching falling ash-snow in slow drift rim light catching red ember-eyes pulsing in hollow ash-skull — bright then dim rim light catching black bone beak — the only survivor of the fire rim light catching vast crumbling ash-wings with ragged disintegrating edges rim light catching black bone talons clenched in permanent grip rim light catching burned world environment of black ground and grey sky shadow ashen crow shadow with burned world environment of cremated landscape chi aroscuro mysterious divine lighting with red ember-eye pulse-glow as only warmth against absolute-black ash-body and grey-ash ambient atmosphere highly detailed 8K cinematic composition detailed Ashen Crow burned bird deity texture
grim
な
夜明けの鳥
なおちゃ
wide shot, symmetrical composition, eye level, scenery, no humans, animal focus, raven, crow, 2birds, sitting, perched on rock, moss, facing each other, profile, dark lake, calm water, water reflection, reflection paradox, surrealism, bare branches, twisted trees, framing, mist, twilight, indigo sky, clear sky, no stars, deep shadows, monochromatic palette, blue accents, amber accents, clean image, no text
A wide cinematic shot with strict bilateral symmetry captures a tranquil, surreal tableau in the middle of a vast, pitch-black lake at deep twilight. Framing the upper margins on both sides, bare and twisted tree boughs curve inward like an arch of dark bone. Out of the motionless water, two identical moss-encrusted boulders rise on the left and right. Perched in profile upon the left stone sits a large raven, identifiable by its heavy curved beak and shaggy throat hackles, facing inward. Balanced upon the right stone sits a noticeably smaller crow with sleek matte feathers and a slender beak, its head turned directly toward the raven. Both birds remain entirely motionless, locked in a solemn, mutual eye-level gaze, their talons firmly gripping the wet emerald moss.
Between them, the water is a flawless, undisturbed black mirror, yet the reflection subverts reality: beneath the raven on the left, the inverted reflection displays the slender beak and smooth plumage of the crow; beneath the crow on the right, the water mirrors the heavy, shaggy profile of the raven. Toward the center of the lake between the two stones, the submerged dark reflections flow toward one another across the liquid plane, their mirrored wings merging into a single, seamless avian silhouette anchored beneath the surface.
Delicate ribbons of pale, cold mist drift inches above the water, hugging the colder surface tension without obscuring the glass-like reflections. Above, the sky is a clean, uniform gradient of deep indigo twilight, entirely unblemished and free of stars, cast in the dim, diffuse glow of an off-frame pale moon. The palette is dominated by deep obsidian, charcoal, and brushed silver, accented with faint ice-blue rim light limning the birds' feathered contours and a subtle spark of warm amber in their dark, glassy eyes. Sacred, melancholic quiet.
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