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AI art "Dominator Z (Police Variant)" featuring #Car and #Police Car
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Dominator Z (Police Variant)

This is a Police variant of the Dominator Z. Any criminal on the streets may as well give up. 'Cause the cops are gonna stick to their tails like hot butter on a corn cob

#Car#Police Car
gw

Garath Webb

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Comments

(futuristic police car), (shiny black paint), (red leather interior), (black-tinted windows), (police details), (light bar on the roof), (red and blue lights), (black 5-spoke rims), (whitewall tires), 4k, masterpiece, hyperrealistic
Show Parameters
Size
1024 x 375
Sampling Steps
16
Sampling Method
Euler a
CFG Scale
5.5
Negative
long neck, deformed, mutated, mutation, ugly, disfigured, poorly drawn face, skin blemishes, skin spots, acne, the wrong limb, lowers, bad anatomy, bad hands, text, error, missing fingers, extra digit,Excess fingers, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry,Black line,Excess hands, extra hands, jpeg artifacts, nsfw

Model & LoRA used

ArtFusion XL Real - AI Model cover image

SDXL

ArtFusion XL Real
16

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Avatar image of Yiğit Şerif Yaman The Man
character: batman, copyright: batman_(series), dc_comics 1car, no humans, vehicle focus, batmobile, black superhero car, sleek armored coupe, elongated hood, bubble canopy cockpit, bat-fin tailfins, jet exhaust nozzle at rear, heavy treaded rear tires, low ground clearance, matte black body with graphite panel seams, white headlight beams, wet asphalt, night, low angle, from below, three-quarter front view, dramatic foreshortening, wide shot, rain, reflections, motion blur on wheels, dc comics, batman (series), superhero vehicle, special vehicle, special car, cinematic The camera sits low to the ground, almost at bumper height, looking up and slightly across the front-left corner of a single black armored superhero car — the only subject in frame, no driver, no passengers, no figures anywhere. The long hood sweeps toward the lens and swells with foreshortening, its slab sides rising to a bubble canopy that catches the rain; two tall bat-fin tailfins cut upward at the rear, framing a wide jet exhaust nozzle. The front-left tire is the nearest object in the image, its tread blocks huge and slick, the contact patch pressing a shallow crescent of displaced water out of the asphalt. Rain streaks diagonally through the white headlight beams, and in those beams only the falling drops are lit — individual streaks sharp near the lamps, dissolving to haze further out; the body panels stay dark, edged by a thin graphite rim-light along the hood's crease and along the canopy's curve. Every downward-facing surface drips; water beads stand on the upward-facing fins and on the hood's flat crown. The wet asphalt mirrors the car as a darker, softer, broken reflection pulled long by perspective, its streaks smeared by a faint motion blur at the wheels. Palette: black, graphite, cold blue-white headlight glare and the orange sodium spill bleeding in at the far right edge of frame; nothing else admitted. Light source: the car's own headlights plus a single distant streetlamp behind and to the right, its glow rimming the tailfins. Mood: cold, heavy, relentless.
Yiğit Şerif Yaman The Man
#Car#Vehicle focus

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