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- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 768 x 1280
- Sampling Steps
- 27
- Sampling Method
- Euler a
- CFG Scale
- 4
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model & LoRA used
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pc
príncipe charro
ia
1girl, solo, young woman, long silky hair, black hair, straight hair, hair down past waist, loose strands, dark eyes, gentle smile, half-closed eyes, seductive, slight blush, light lavender hanfu, revealing hanfu, loosely draped top, wide open collar, soft cleavage, bare shoulders, bare arms, short hanfu skirt, flowing hem, bare legs, crossed legs, sitting on wooden window ledge, traditional window, wooden lattice window, paper pane, open window, indoors, morning, soft morning light, sunbeam, light rays, cinematic composition, cowboy shot, from side, three-quarter view, looking at viewer, head tilt, hand resting on window frame, arm support, detailed fabric folds, detailed skin, soft shading, warm palette, intimate atmosphere
A cinematic three-quarter view from the side and slightly below, one young woman alone sitting sideways on the broad wooden ledge of a traditional lattice window, the frame of the shot built by the window's vertical mullions and the pale paper panes behind her shoulder. Long silky black hair falls straight past her waist, a few strands slipping forward over her collarbone and the rest spilling behind her back along the sill; the morning sun catches its outer edge so the fine hairs glow while the inner mass stays deep and cool-toned. She wears a light lavender hanfu: the top is loosely draped so the collar has slid wide, both shoulders bare, one sleeve slipping down her upper arm, the pale silk showing soft cleavage at the open chest; the skirt is cut short and flowing, the hem riding high over crossed bare legs where they lie along the sill, one foot tucked under the opposite thigh, the other foot pointed down toward the floor with the toes just off the boards. Her weight sinks into the left hip on the sill, her left hand braced flat on the window frame beside her for balance, her right hand loosely holding the draped collar at her shoulder, fingers relaxed against the silk. She turns her face toward the viewer with a gentle closed-lipped smile, one corner of the mouth lifted a fraction higher, eyelids half lowered, chin dipped, warm dark eyes looking straight back at the lens -- the look is soft and unhurried, carrying the seduction in the stillness rather than in any gesture. The morning light comes in low through the paper panes and slatted lattice behind her, a single warm source off-frame to the left, laying bright stripes across her cheekbone, her bare shoulder, the upper surface of her thigh and the loose outer fold of the hanfu, while the shadowed side of her jaw and the space under the sill stay deep warm brown; the lattice casts a sharp striped shadow down her arm and across the paper behind her, softening into a blur just past the sill. Fabric folds are rendered individually where the silk pools at her waist and bunches at her knee, the lavender shifting from pale lilac in the light to a muted periwinkle in the shade, and the skin shows fine texture -- the faint grain of a wrist, the sheen of a shin -- with a small crease pressed into the soft silk of her thigh where it rests on the wooden sill. Palette is limited to lavender, warm honeyed daylight, cream paper and the dark brown of aged lacquered wood. Quietly intimate.
Ishola Ayinla
n
masterpiece, best quality, minamoto no raikou \(fate\), dress, black hair, hotel, kneeling, 1girl, looking up, from below
nero
pc
príncipe charro
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