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教徒土豆

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Ji (Arknights), a strikingly androgynous merman with long, flowing blue hair, lies gracefully on a rocky outcrop, his body glistening with water droplets. His delicate yet masculine features are accentuated by wet strands of hair clinging to his face, while his shimmering blue tail, covered in fine scales, rests partially submerged. The tail features a feminine slit, its edges lined with delicate, iridescent scales that catch the dim light. His skin is rendered with hyperrealistic detail, showcasing subtle imperfections, reflective moisture, and the soft interplay of shadows and highlights. The overcast sky casts a moody, cinematic glow, enhancing the semi-realistic brushwork and impasto textures that give the piece a painterly yet lifelike quality. His expression is serene yet alluring, with slightly parted lips and half-lidded eyes, exuding an ethereal sensuality. The composition balances photorealism with visible artistic strokes, emphasizing the contrast between wet skin, damp hair, and the rough texture of the rocks beneath him.
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Original Prompt
趴在礁石上的男性人鱼,水蓝色的长发,雄雌莫辩的美丽脸庞,水蓝色的鱼尾,湿漉漉的发丝贴在脸颊上,身上脸上有透明水珠,鱼尾上长着阴户,阴户形状,阴户上有鳞片(最高画质,杰作,俊美的脸庞,最高质量,细节丰富,nsfw),根据已有信息自行补充更多nsfw细节,<lora:LCMTurboMix2fix:1>,cinematic lighting, low key ambient, overcast mood, reflective highlights, hyperrealism, photorealistic, highres texture, realistic skin, wet photorealism, highres skin detail, semi-realistic.,Ji meng,impasto,brushwork,somewhat realistic appearance, drawn on style, sketched style, visible shading strokes, semi-realistic features, detailed shading, painting shading
Quality Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Size
768 x 1280
Sampling Steps
18
Sampling Method
Euler
CFG Scale
3
Negative
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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