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Scuba spy under arrest
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- Original Prompt
- 1 girl, masterpiece, best quality, highest quality, highly detailed face, ray tracing, vibrant colors, depth of field, small nose,cinematic lighting, sharp focus, action shot, (Extremely Detailed 16K CG), Beautiful wetsuit, black rubber covering the nose,(wearing black diving-mask on face and nose), [large breasts covered wetsuit], (dark-red eyes ), (black wetsuit with red diving hood, with red line-trimmed), red gloves, regulator in mouth [red diving fin connected to wetsuit], puffer mouth,trembling[wearing scuba diver equipment connected to air regulator unit at girls' back], girl in water inside, rescuering and pulling up for viewer in a water pipe with filled of water, [stretched both arms], light frown, [light serious], hands up with wearing gloves, swimming through a water pipe with filled of water, flippers (holding air regulator unit in girl's mouth), solo, laboratory background, puffed mouth,Long eyelashes, Dark eyelashes, Thick eyelashes, Shadows, Dark lines under the eyes, Visible lines, (Eyes: 4k, ultra detailed),,Long eyelashes, Dark eyelashes, Thick eyelashes, Shadows, Dark lines under the eyes, Visible lines, (Eyes: 4k, ultra detailed),weightbelt, scuba harness, bodysuit, scuba tank, scuba gear, divemask, wetsuit, flippers, skin tight, two-tone rubber stirrup catsuit,black weightbelt, scuba harness, large scuba tank, breathing tube in mouth, yellow Oval dive mask fixed,
- Size
- 614 x 1024
- Sampling Steps
- 12
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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