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metal gore
Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private โ only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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1girl, solo, adult, aged up, beautiful woman, mature female, light brown hair, short curly hair, curls, blue eyes, makeup, eyeshadow, eyeliner, lipstick, blush, large breasts, curvy, wide hips, thick thighs, normal dress, simple dress, short sleeves, three-quarter view, from side, cowboy shot, standing, weight on one leg, head tilt, looking at viewer, light smile, one eyebrow slightly raised, hand resting on hip, other hand tucking a curl behind her ear, indoors, window light, plaster wall, wooden floor, warm palette, soft shadows
A three-quarter view of a single adult woman, seen from slightly side-on in a cowboy shot cut at mid-thigh, her body turned about forty degrees away from the camera while her face swings back toward the lens. Light brown short curly hair crops the nape of her neck and springs in loose tight spirals around her ears and temples, one curl falling across her forehead; her blue eyes sit under shaped brows, framed by soft brown eyeshadow, a fine black liner wing, warm blush high on both cheeks and a glossy rose lipstick with a clean cupid's bow. A simple knee-length dress of muted sage cotton, short sleeves, a modest round neckline and a gently cinched waist, follows the fuller line of her chest and the slight curve out to wide hips and thick thighs without clinging; the fabric pulls into soft diagonal folds from shoulder to bust and settles in a plain hem at the knee. She stands with her weight sunk into her left leg, right knee slack and right hip dropped, the right hand flat on her hip so the fingers press a shallow dent into the cotton, her left hand lifted to her ear tucking a curl back with the thumb and forefinger, a fine strand springing free of the grip. Her chin tips a little to one side and down, her eyes meeting the viewer directly with a faint closed-lip smile, one eyebrow arched a fraction higher than the other. Daylight comes in through a window just off frame to her right, striking the right side of her face, the shoulder of the dress and the tops of the curls in warm ivory, leaving the left cheek, the far side of her bodice and the hollow under her jaw in cool grey shadow, and her cast shadow falls angled across the wooden floorboards behind her left heel, stretching away from the window. The room is simple: a bare plaster wall, a baseboard, the planks running toward the bottom corner of the frame, nothing else in shot, the palette held to warm ivory skin, sage green, light brown and soft grey shadow. Where her weight presses the heel, the floorboard's dust has been pushed into a small clean crescent. Effortlessly warm, quietly confident.
Kylee Violette (Kiy Chan)
1girl, solo, adult, aged up, beautiful woman, mature female, light brown hair, short curly hair, curls, blue eyes, makeup, eyeshadow, eyeliner, lipstick, blush, large breasts, curvy, wide hips, thick thighs, normal dress, simple dress, short sleeves, three-quarter view, from side, cowboy shot, standing, weight on one leg, head tilt, looking at viewer, light smile, one eyebrow slightly raised, hand resting on hip, other hand tucking a curl behind her ear, indoors, window light, plaster wall, wooden floor, warm palette, soft shadows
A three-quarter view of a single adult woman, seen from slightly side-on in a cowboy shot cut at mid-thigh, her body turned about forty degrees away from the camera while her face swings back toward the lens. Light brown short curly hair crops the nape of her neck and springs in loose tight spirals around her ears and temples, one curl falling across her forehead; her blue eyes sit under shaped brows, framed by soft brown eyeshadow, a fine black liner wing, warm blush high on both cheeks and a glossy rose lipstick with a clean cupid's bow. A simple knee-length dress of muted sage cotton, short sleeves, a modest round neckline and a gently cinched waist, follows the fuller line of her chest and the slight curve out to wide hips and thick thighs without clinging; the fabric pulls into soft diagonal folds from shoulder to bust and settles in a plain hem at the knee. She stands with her weight sunk into her left leg, right knee slack and right hip dropped, the right hand flat on her hip so the fingers press a shallow dent into the cotton, her left hand lifted to her ear tucking a curl back with the thumb and forefinger, a fine strand springing free of the grip. Her chin tips a little to one side and down, her eyes meeting the viewer directly with a faint closed-lip smile, one eyebrow arched a fraction higher than the other. Daylight comes in through a window just off frame to her right, striking the right side of her face, the shoulder of the dress and the tops of the curls in warm ivory, leaving the left cheek, the far side of her bodice and the hollow under her jaw in cool grey shadow, and her cast shadow falls angled across the wooden floorboards behind her left heel, stretching away from the window. The room is simple: a bare plaster wall, a baseboard, the planks running toward the bottom corner of the frame, nothing else in shot, the palette held to warm ivory skin, sage green, light brown and soft grey shadow. Where her weight presses the heel, the floorboard's dust has been pushed into a small clean crescent. Effortlessly warm, quietly confident.
Kylee Violette (Kiy Chan)
1girl, solo, adult, aged up, beautiful woman, mature female, light brown hair, short curly hair, curls, blue eyes, makeup, eyeshadow, eyeliner, lipstick, blush, large breasts, curvy, wide hips, thick thighs, normal dress, simple dress, short sleeves, three-quarter view, from side, cowboy shot, standing, weight on one leg, head tilt, looking at viewer, light smile, one eyebrow slightly raised, hand resting on hip, other hand tucking a curl behind her ear, indoors, window light, plaster wall, wooden floor, warm palette, soft shadows
A three-quarter view of a single adult woman, seen from slightly side-on in a cowboy shot cut at mid-thigh, her body turned about forty degrees away from the camera while her face swings back toward the lens. Light brown short curly hair crops the nape of her neck and springs in loose tight spirals around her ears and temples, one curl falling across her forehead; her blue eyes sit under shaped brows, framed by soft brown eyeshadow, a fine black liner wing, warm blush high on both cheeks and a glossy rose lipstick with a clean cupid's bow. A simple knee-length dress of muted sage cotton, short sleeves, a modest round neckline and a gently cinched waist, follows the fuller line of her chest and the slight curve out to wide hips and thick thighs without clinging; the fabric pulls into soft diagonal folds from shoulder to bust and settles in a plain hem at the knee. She stands with her weight sunk into her left leg, right knee slack and right hip dropped, the right hand flat on her hip so the fingers press a shallow dent into the cotton, her left hand lifted to her ear tucking a curl back with the thumb and forefinger, a fine strand springing free of the grip. Her chin tips a little to one side and down, her eyes meeting the viewer directly with a faint closed-lip smile, one eyebrow arched a fraction higher than the other. Daylight comes in through a window just off frame to her right, striking the right side of her face, the shoulder of the dress and the tops of the curls in warm ivory, leaving the left cheek, the far side of her bodice and the hollow under her jaw in cool grey shadow, and her cast shadow falls angled across the wooden floorboards behind her left heel, stretching away from the window. The room is simple: a bare plaster wall, a baseboard, the planks running toward the bottom corner of the frame, nothing else in shot, the palette held to warm ivory skin, sage green, light brown and soft grey shadow. Where her weight presses the heel, the floorboard's dust has been pushed into a small clean crescent. Effortlessly warm, quietly confident.
Kylee Violette (Kiy Chan)
1girl, solo, adult, aged up, beautiful woman, mature female, light brown hair, short curly hair, curls, blue eyes, makeup, eyeshadow, eyeliner, lipstick, blush, large breasts, curvy, wide hips, thick thighs, normal dress, simple dress, short sleeves, three-quarter view, from side, cowboy shot, standing, weight on one leg, head tilt, looking at viewer, light smile, one eyebrow slightly raised, hand resting on hip, other hand tucking a curl behind her ear, indoors, window light, plaster wall, wooden floor, warm palette, soft shadows
A three-quarter view of a single adult woman, seen from slightly side-on in a cowboy shot cut at mid-thigh, her body turned about forty degrees away from the camera while her face swings back toward the lens. Light brown short curly hair crops the nape of her neck and springs in loose tight spirals around her ears and temples, one curl falling across her forehead; her blue eyes sit under shaped brows, framed by soft brown eyeshadow, a fine black liner wing, warm blush high on both cheeks and a glossy rose lipstick with a clean cupid's bow. A simple knee-length dress of muted sage cotton, short sleeves, a modest round neckline and a gently cinched waist, follows the fuller line of her chest and the slight curve out to wide hips and thick thighs without clinging; the fabric pulls into soft diagonal folds from shoulder to bust and settles in a plain hem at the knee. She stands with her weight sunk into her left leg, right knee slack and right hip dropped, the right hand flat on her hip so the fingers press a shallow dent into the cotton, her left hand lifted to her ear tucking a curl back with the thumb and forefinger, a fine strand springing free of the grip. Her chin tips a little to one side and down, her eyes meeting the viewer directly with a faint closed-lip smile, one eyebrow arched a fraction higher than the other. Daylight comes in through a window just off frame to her right, striking the right side of her face, the shoulder of the dress and the tops of the curls in warm ivory, leaving the left cheek, the far side of her bodice and the hollow under her jaw in cool grey shadow, and her cast shadow falls angled across the wooden floorboards behind her left heel, stretching away from the window. The room is simple: a bare plaster wall, a baseboard, the planks running toward the bottom corner of the frame, nothing else in shot, the palette held to warm ivory skin, sage green, light brown and soft grey shadow. Where her weight presses the heel, the floorboard's dust has been pushed into a small clean crescent. Effortlessly warm, quietly confident.
Kylee Violette (Kiy Chan)
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