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Show Parameters
- Size
- 1024 x 768
- Sampling Steps
- 11
- Sampling Method
- Euler a
- CFG Scale
- 6
- Negative
- (bad quality,worst quality,worst detail,bad, low quality,low details, poorly drawn, bad anatomy:1.2), (extra fingers, bad hands, bad fingers, split fingers, fused arms, fused hands, fused fingers:1.2),
Model & LoRA used
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wide shot, rear view, from behind, 1vehicle, car focus, minivan, dark blue car, metallic paint, glowing tail lights, driving away, vanishing point, coastal road, asphalt road, guardrail, riverside, wide river, distant skyline, glowing windows, city lights, sunset, twilight, dusk, pink sky, orange sky, water reflection, atmospheric perspective, scenery, no humans
Cinematic wide shot from behind, positioned at a low road-level angle following a dark metallic blue luxury minivan as it drives away along a sweeping coastal riverside road. The minivan occupies the lower-right third of the frame, its wide, sculpted rear fascia detailed with a sleek horizontal red LED taillight assembly that glows brightly, casting a faint crimson sheen on the dry asphalt directly beneath the rear tires. To the right, a low steel guardrail borders the smooth curve of the road beside an expansive, open river that stretches toward the horizon. Across the wide water on the far shore, the sharp silhouettes of distant skyscrapers and urban towers form a dense skyline, punctuated by clusters of warm yellow and cool white illuminated windows. The evening sky transitions in a broad atmospheric gradient from dusty orange and fiery pink at the horizon into dusky indigo at the top of the frame. Dramatic sunset backlight grazes the glossy roofline of the minivan, while cool teal-blue ambient shadows envelop the vehicle's body panels and the receding roadbed. Across the river's surface, the warm glow of the horizon and vertical filaments of distant city lights fracture into shimmering, elongated horizontal reflections across the fine water ripples. Rendered in a soft, painterly anime style with visible brush textures and layered color blocks, where cool teal-blue atmospheres contrast with warm golden highlights, accented by loose, sketch-like linework. Melancholic departure.
制覇AIRMASTER
w
Neon Twilight over the City Streets
wewewe
scenery, no humans, wide shot, outdoors, day, overcast, cloudy sky, cloud, road, empty road, car, motor vehicle, parked car, cityscape, building, house, brick wall, railing, guardrail, tree, utility pole, power lines, lamppost, road sign, real world location, anime illustration, crayon-like texture style, line-free illustrations with soft color blocks and visible texture, atmospheric lighting
A wide-angle landscape view looks down a deserted, sloping asphalt road that curves gently toward a sprawling cityscape in the distant valley. To the left, a textured reddish-brown brick wall borders a quiet residential house, while the leafy green boughs of a roadside tree drape over the masonry. A tall concrete utility pole rises beside the curb, strung with a dense web of dark power lines cutting across the sky, fitted with an angled metal lamppost and a circular road sign. On the right side of the street, a solitary compact car sits parked parallel to a white steel railing and roadside guardrail that traces the sidewalk's edge. The road leads the eye toward the hazy, layered silhouettes of city buildings under an expansive, unbroken overcast sky filled with heavy, soft-edged gray and pearl clouds. The diffuse, indirect daylight eliminates directional cast shadows entirely, pooling subtle ambient occlusion only beneath the car tires, along the base of the brick wall, and under the curb lip. Executed in a line-free anime illustration style using broad, soft color blocks and a tactile, crayon-like granular texture with diffuse atmospheric lighting. Quiet solitude.
榊原久就
masterpiece, best quality, ultra detailed, (4k), beautiful, multiple houses, infinite houses, top down view, houses, car, patio, people, surreal landscape
ZeroYami
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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