秋の七草 撫子(なでしこ)
覚え方 おすき「な」ふくは おみなえし、すすき、ききょう、なでしこ、ふじばかま、くず、はぎ
Show Parameters
- Original Prompt
- ピンクの撫子の花畑に満面の笑顔で立っている美少女。 幼い顔立ちで、琥珀のように輝く瞳、長い睫毛、白い肌。 髪はふわふわのボリュームがある1本の三つ編みで、肩越しに前に垂れている。 髪には撫子の髪飾りを付けている。ピンクのピアスとピンクのマニキュア。 濃いピンクと白のフリル、そして大きなリボンが付いた可愛いドレスを着ている。 スカート丈は足首までのロング丈。ドレスには撫子の柄が入っており、差し色で白が入っている。 両手で胸の前に濃いピンクの撫子(((細かく切れ込みの入った花弁)))の花束を抱えている。 花束の撫子は、(((細かく切れ込みの入った花弁)))が繊細に描かれており、可憐で優美な花姿をしている。 背景にも同じように、風に揺れる可憐な撫子(((細かく切れ込みの入った花弁)))の花々が広がっている。 正面構図、カウボーイショット。 太陽の柔らかい光が少女と花々を幻想的に照らしている。天候は晴れの昼間。 水彩画風。アニメ調。高精細、柔らかな光、幻想的で可憐な雰囲気。, <CCpkmnStyleMix>, watercolor texture, white background, gradient colors, gradient watercolor, abstract background, mire artstyle
- Size
- 896 x 1152
- Sampling Steps
- 30
- Sampling Method
- DPM++ 2M Karras
- CFG Scale
- 6
- Negative
- (bad quality,worst quality,low quality,bad anatomy,bad hand:1.3), nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name,2girls, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Model & LoRA used
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selah melancholic, detailed rendering, delicate linework, painterly shading, high fidelity illustration, soft volumetric lighting, ambient bloom, atmospheric depth, luminous highlights, subtle gradients, textured brushwork, refined rendering, clarity, ethereal glow, layered lighting, strong backlighting from behind, bright rim light on the far side of the hair and clothing, deep cool teal shadows on the foreground side, subtle turquoise reflected light on the skin, warm brown shadows in pink hair, natural color bleeding between light and shadow
東西南北で言うと右
Pink-Haired Maiden in a Floral Dream
Monica Limq
花夢堂
ピンクガール〜花畑〜
華桃林檎
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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