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- Original Prompt
- Weird
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler
- CFG Scale
- 4.5
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model & LoRA used
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롭키
g
(((Anime illustration))), (((Incarnate detail))), (((Masterpiece))), (((Highest quality))). This is a monumental wide-angle establishing shot from an extreme low-angle perspective of the Chrono-Phage Coliseum, a colossal living temporal graveyard suspended in an abyssal void. The entity is a miles-wide floating amphitheater crafted from bleached, vitrified porcelain bones, featuring towering walls of fused spinal columns and rib cages that curve around a central, rotating vertical maw. Broken obsidian clock-towers with shifting numerals and snapped gears rise like sentinels from the perimeter, while shattered pendulums slice through drifting bone-dust. The central maw is a void in spacetime, with interlocking porcelain tooth-spires spiraling into absolute blackness, actively draining color and light from the surroundings. The environment is a pitch-dark void filled with orbiting ruins of prior worlds and liquid temporal runoff resembling molten mercury. The lighting is a somber, directionless monochrominance with harsh rim lighting on the obsidian structures. The color palette is terminal, dominated by bone-white, obsidian-black, and cadaver-gray, with rare accents of jaundiced amber. The atmosphere is crushing and still, rendered with sharp ink-like strokes and high-contrast anime aesthetics.
Grammy
롭키
g
(masterpiece best quality 1.2) ultra-detailed character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward extreme wide angle full body framing 1creature solo Zion Tenth Birth Catastrophe form a being so massive the camera cannot contain it the frame is filled by the creature's body and the body extends beyond the frame edges in every direction implying infinite continuation the creature has six arms three on each side each arm a different length and thickness and angle — the topmost arms reaching upward and outward like grasping hands the middle arms extended sideways like balancing poles the lowest arms hanging downward like afterthoughts each arm ends in a hand with too many fingers and each finger ends in a different shape — a claw a point a mouth an eye a key each hand is a different tool for a different catastrophe four legs visible beneath the massive form not legs in the traditional sense but structural pillars thick and root-like and spread wide like the legs of a spider or the roots of a tumor-tree the legs are not separate from the ground they have fused with it the creature is rooted into reality and reality is rooting into the creature body bulbous and massive and covered in tumors but not random tumors — each tumor is a face a different face a face of someone whose fortune has been stolen each tumor-face has milky white eyes with crimson irises and each pair of eyes sees a different possible future each tumor-face has a mouth filled with sharp teeth and each mouth is whispering a different prediction the whispers overlap and combine into a cacophony of prophecy that drives everything in proximity to madness the primary face is at the top of the body — the largest face the original face its mouth is lipless and stretched wide showing massive teeth each tooth carved with a tiny engraved symbol representing a different form of misfortune the primary face's eyes are the largest — milky white with crimson irises that swirl like weather patterns the eyes do not look at the viewer they look at everything simultaneously because catastrophe does not choose a target it targets choice itself thick black smoke billowing from every tumor-face and from the primary mouth and from every crack in the creature's skin the smoke does not dissipate it accumulates it builds and layers and creates a canopy of darkness above and around the creature like a private storm system the smoke obscures vision and within the smoke visible hallucination-flickers — images of people's worst fears projected in shadow-play against the smoke walls the karma meter visible not on the creature's forehead but as a floating phenomenon — a massive glowing dial hovering above the primary face like a second sun the dial is split into halves one dark one light and the dark half is growing the karma meter is climbing and the higher it climbs the more the environment warps structures in the background not just collapsing but rearranging — buildings swapping floors the sky changing color weather inverting rain falling upward the ground splitting into chessboard tiles that rearrange themselves the environment is not being destroyed it is being reorganized by misfortune and the reorganization is more terrifying than destruction because destruction at least leaves ruins but catastrophe leaves nothing recognizable the creature's body language is immobile it does not need to move it has rooted into reality and now reality orbits it it is the center of gravity for misfortune and everything falls toward it and breaks rim light along six arm silhouettes reaching in different directions rim light catching tumor-faces with milky crimson eyes whispering overlapping prophecies rim light catching primary lipless mouth with carved misfortune-teeth rim light catching massive milky eyes with swirling crimson weather-pattern irises rim light catching floating karma meter dial overhead dark half growing rim light catching billowing accumulated black smoke canopy with hallucination-shadow projections rim light catching rearranging environment — buildings swapping floors sky inverting chessboard ground tiles rim light catching four root-like legs fused with ground rim light catching hands ending in different shapes — claw mouth eye key shadow cataclysmic catastrophe shadow with reality rearranging around rooted god-thing chiaroscuro catastrophic divine lighting with milky-crimson irises and black smoke canopy and floating karma-meter dial ambient glow highly detailed 8K cinematic composition detailed Zion Form 10 Catastrophe rooted tumor-faced karma-dial reality-rearranging texture
Grim
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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