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Alisa Bosconovitch (Tekken)
Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 11
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5),abs,
Face Fix
Model & LoRA used
![Alisa Bosconovitch (TEKKEN) [PONY XL] by UOC - AI Model cover image](https://images-ng.pixai.art/images/thumb/32ab4447-f132-4768-b870-4be2f59eb5c6)
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1girl, momoi satsuki, kuroko no basket, masterpiece, ultra detailed, ultra-realistic, sharp focus, HDR, 8K resolution, gothic luxury fashion portrait, elegant black mini dress, sheer dotted mesh panels, dramatic puff sleeves, intricate multicolored floral beadwork, crystal embroidery, sequined embellishments, fitted corset-inspired bodice, wide statement waist belt, ornate metallic buckle, layered ruffled skirt, delicate mesh flounce cuffs, vintage crystal drop earrings, gemstone cocktail ring, refined bracelet, long voluminous spiral-curled hair, full straight bangs, cascading ringlets, standing pose, hand on skirt, hand near waist, warm neutral studio backdrop, soft cinematic lighting, dimensional shadows, luminous highlights, sparkling reflections, rich fabric depth, luxury haute couture editorial photography, premium fashion campaign, parted bangs, medium breasts, beautiful girl, pink hair, dark-pink eyes, long hair, perfect body, perfect face, perfect nose, perfect soft lips, big eyes, anime eyes, douyin eyes, detailed eyes, very detailed eyes, multi-colored iris, detailed iris, light blush, long deep hair, rich tone, high density, silky natural shine, deep side part, soft front strands framing face, wide smooth waves, well-defined strands, soft layered ends, no frizz, realistic 3D hair texture, gentle movement, elegant feminine hairstyle, ultra high resolution, studio lighting, hyper detailed, front-facing female character, upright centered pose, low ponytail, ponytail over one shoulder, facing forward, hair flows naturally, soft texture, slightly wavy hair, delicate loose strands framing face, hair tie hidden, balanced composition, symmetrical face, clear frontal view, elegant and calm aesthetic, high realism, ultra high detail, cinematic soft lighting
Aya Moon
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1girl, solo, masterpiece, ultra detailed, fuchsia pink jacquard lace micro dress, floral woven pattern, deep v-neckline, silver rhinestone trim, rhinestone-embedded shoulder straps, semi-fitted silhouette, structured cups, waist cutouts, satin bodice lining, plain skirt, silver metallic open-toe stiletto sandals, transparent ankle straps, layered pearl and gold chain double necklace, silver drop earrings, standing, looking at viewer
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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