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桐生一馬

Avatar image of 桐生一馬

桐生一馬

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{male wearing blue shirt, short hair, brown hair, black trainers,black eyes},{female wearing mami tomoe,blush}full body, gender alteration, gender change, gender transformation,male to female, gender transition, M2F, MTF, sequence, simple background, solo, standing, TG, TF, transgender,transformation,blush ,race change,Gender Transformation MTF Sequence Fullbody, Simple Background, Standing
Show Parameters
Size
1280 x 960
Sampling Steps
25
Sampling Method
DPM++ 2S a Karras
CFG Scale
7
Negative
worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t

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Avatar image of 句点むら寿司
horizontal composition, transformation sequence, sequential art, full body, multiple views of the same character, 7figures, progression, wide shot, eye level, 1boy, short messy hair, t-shirt, shorts, sneakers, relaxed pose, androgynous, widening eyes, open mouth, looking at own hands, raised hands, astonishment, 1girl, long hair, cute dress, elegant dress, delicate shoes, graceful pose, serene smile, pastel colors, warm lighting, minimal shading, flat clean anime style, soft rounded linework, smooth color fills A wide horizontal eye-level shot captures a seamless seven-stage full-body transformation sequence flowing smoothly from left to right across a clean, pale cream and soft pastel gradient field. Every figure is shown completely from head to toe, their forms evenly spaced and unified by a subtle, continuous warm luminous aura. At the far left, the first stage depicts a young boy with short, tousled chestnut hair and youthful, angular facial features. He stands in an easy, relaxed posture with his weight settled comfortably onto his right heel, shoulders dropped, wearing a loose crewneck cotton t-shirt, relaxed knee-length shorts, and low-top canvas sneakers firmly planted on the ground. His expression is calm and neutral as he looks forward. In the second stage, his messy locks begin to lengthen past the ears, jaw contours slightly soften, and a subtle tremor enters his posture as his eyes widen in budding surprise, gaze dropping toward his chest. By the third stage, his hair reaches the nape of his neck in softer strands; his eyes are wide with undeniable shock, mouth parting slightly in a gasp as he stares downward at his shifting frame, his t-shirt loosening and draping differently while the shorts begin to shorten along narrowing thighs. At the exact center, the fourth stage forms a slender, androgynous figure caught in deep astonishment: shoulder-length hair drifts outward around a softened jawline, both hands are raised chest-high with palms upturned and fingers splayed in disbelief, his gaze locked directly onto his transforming hands as the shirt morphs into a flowing, high-waisted tunic and the footwear slims into flexible slip-ons. Moving rightward, the fifth stage presents distinctly feminine curves emerging, with hair cascading past the collarbones in gentle curves, waist cinching gracefully, and posture tilting into a modest contrapposto; the subject's hands lower toward the flaring skirt hem of a pastel dress, eyes softening from shock into quiet wonder. In the sixth stage, the hair flows past mid-back, the feminine silhouette is fully established in a charming pastel dress with neat trim and dainty flat shoes, and the face carries a tentative, delicate upward curl of the lips as fingers lightly touch the skirt fabric. At the far right, the sequence culminates in a complete young girl standing gracefully: her long, lustrous hair falls smoothly below her waist, her posture is poised with feet neatly placed together, wearing an elegant, tailored pastel dress with a softly billowing hem and matching delicate shoes. Her head tilts with serene confidence, wearing a warm, gentle smile with bright, content eyes gazing toward the viewer. The lighting is soft, warm, and diffuse, casting faint, softly feathered contact shadows beneath each figure's footwear that progressively shrink and narrow from the broad sneaker footprints on the left to the light, slender shoe treads on the right. Rendered with clean, rounded linework, flat smooth color fills, and minimal shading across a light, desaturated pastel palette of soft rose, mint, pale lavender, and warm cream. Wonder and serene acceptance.
句点むら寿司

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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