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AI art "serena" featuring #The Idolmaster, #The Idolmaster Million Live! and #Momoko Suou for keywords dawn,Suou Momoko,brown hair,blue eyes,
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serena

#The Idolmaster#The Idolmaster Million Live!#Momoko Suou
Avatar image of EMMFLIX

EMMFLIX

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dawn,Suou Momoko,brown hair,blue eyes,
Show Parameters
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked

Model & LoRA used

Haruka v2 - AI Model cover image

PixAI XL

Haruka v2
25.00k
Suou Momoko (周防 桃子) - AI Model cover image

User LoRA

Suou Momoko (周防 桃子)
7

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AI artwork
Avatar image of 志貴
character: morikubo_nono, kobayakawa_sae, copyright: idolmaster, idolmaster_cinderella_girls 2girls, duo, standing side by side, front view, cowboy shot, upper body, simple white background, seamless white studio ground, equal height, same scale, similar body proportions, distinct characters, petite, slender, small breasts, long brown hair, drill hair, hair bow, hair ornament, brown eyes, crying, tears, covering own cheeks with both hands, both hands on own face, closed hands pressed to cheeks, petite, slender, medium breasts, long black hair, blunt bangs, hair flower, black eyes, angry, frown, furrowed brow, index finger to lips, shushing gesture, looking at viewer, arms bent, upper teeth gritted, blush, white empty field, no background elements, centered two-shot, eye-level Front view, cowboy shot cropping both girls at mid-thigh to just above the head, framed straight on against a completely empty, seamless white field with no horizon, no props and no cast environment — only a soft contact shadow pooling under each pair of feet at the bottom edge of the frame. Two petite, slender young women stand shoulder to shoulder, side by side, their outer shoulders almost touching, matched in height, scale and build so that their eyes sit on one horizontal line and their chins at the same level; the girl on the left is slightly narrower through the chest, the girl on the right a little fuller, both sharing the same small frame and narrow waist. On the left, the brown-haired girl with long drill-curled locks and a hair bow stands with her weight sunk onto her back foot, shoulders drawn up and inward as if trying to make herself smaller. Both of her hands are lifted flat against her own face, palms pressed to her cheeks, fingers curved up over her cheekbones so the soft flesh dimples under the fingertips; her eyes are squeezed shut, tears welling over the lower lids and running in two bright wet tracks down to her jaw, one drop hanging at the point of her chin, her mouth pulled into a small trembling open frown, brows tilted up at the inner ends. Her drill curls quiver slightly outward from the hunch of her shoulders. On the right, the black-haired girl with long straight hair, blunt bangs and a flower ornament stands square and planted, chin lifted, one arm folded up so that a single straight index finger presses vertically against the center of her closed lips. Her brows are drawn down hard over narrowed black eyes fixed straight at the viewer, a hot flush of anger high on both cheeks, the corner of her mouth twitching down around the pressed finger, her other arm hanging tense with the fist half-clenched. Her bangs shift slightly with the sharp exhale through her nose. Lighting is a flat, even, high-key studio wash from the front and slightly above, so both faces are lit evenly with only the faintest shadow under the chins, under the hair, and beneath the hands on the left girl's cheeks; the background stays pure unbroken white with no gradient. The palette is confined to the two girls themselves — warm browns and cream on the left, black, deep blue-black and a single flower accent on the right — against the white void. The one physical tell: the tears on the left girl's face catch the front light as tiny specular pinpoints while the rest of her skin stays matte. Quiet comedic tension.
志貴
#The Idolmaster#The Idolmaster Cinderella Girls#Sae Kobayakawa

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
8#Attack on Titan#Mikasa Ackerman
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