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AI artwork for keywords forest, masterpiece, centipede, nature, wildlife, fallen leaves, crawling, ultra detailed, scenic view, eerie atmosphere
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あかさかあじい

AI art by あかさかあじい on PixAI. Made with Hoshino.

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あかさかあじい

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forest, masterpiece, centipede, nature, wildlife, fallen leaves, crawling, ultra detailed, scenic view, eerie atmosphere
Show Parameters
Original Prompt
樹海、百足
Size
682 x 1024
Sampling Steps
25
Sampling Method
Euler a
CFG Scale
6
Negative
NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,

Model & LoRA used

Hoshino - AI Model cover image

PixAI XL

Hoshino
15.85k

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AI artwork
h
1other, solo, solo focus, full body, from below, low angle, dutch angle, foreshortening, towering, bipedal, muscular, very muscular, muscular male, hyper muscle, veiny, veins, bare arms, bare shoulders, bare chest, millipede arms, segmented arms, chitinous arms, many-jointed arms, arthropod limbs, curved chitin plates, hooked claws, clawed hands, multiple claw tips, centipede mouth, monstrous mouth, gaping maw, radial mouth, ring of mandibles, many long segmented maxillae, pedipalp mandibles, long antennae, whip-like antennae, segmented antennae, centipede-like legs, centipede abdomen, long segmented abdomen, many legs, spiracles, chitin armor plating, segmented carapace, dark brown and rust-red carapace, amber highlights, horror, terrifying, scary, monstrous, sharp teeth, drooling, saliva strands, open mouth, glowing eyes, multiple eyes, no pupils, body horror, gritty texture, harsh rim light, deep shadow, black background, dim lighting, desaturated palette, unsettling The camera sits low and off-axis, tilted a few degrees into a dutch angle, so the bipedal chimera towers up out of the bottom of the frame and its body is forced into a violent upward foreshortening: the feet and shins dominate the near foreground, the torso recedes and swells, the head and maw hang at the top edge, oversized by the lens. It stands with its weight on the right leg, the left foot planted wider and turned out, both knees bent, the pelvis pushed forward so the heavy plated abdomen behind it curves down between the legs and drags its segmented length toward the ground. Every plate of the carapace sits over a swollen block of muscle: the pecs slabbed under dark chitin bands, the abdomen ridged in tight segments, the deltoids bulging out beneath the shoulder plates. The arms are the millipedes -- each one a thick root of muscle that breaks into a curved chain of overlapping chitin segments, many-jointed, ring after ring of hard shell laid over raw flesh, and the chain bends so the arms hang in loose loops at its sides with the hooked claw tips of each segment turned inward against its own ribs. The pale claw tufts graze the carapace with a faint scratched shadow. The head is the centipede's: the mouth does not close. A wide dark ring of muscle opens at the center of the face, ringed with tiers of long segmented maxillae and thin jointed mandibles that splay outward and keep moving, wet and ridged, and two long whip-like antennae sweep back over the crown, their tips curling in the air behind it. Small clusters of glossy black eyes sit above the maw, catching the one light. Its head is tilted down toward the viewer, all the eye clusters fixed on the lens, the mandibles parting wider in the middle of the breath, a rope of saliva drawn thin from one maxilla to the next and breaking. The only light comes from a source low on the left, hard and cold, raking up the front of the body: it catches each edge of the segmented arms in a thin amber rim, glints on the wet mandibles and the saliva strand, and slides into the deep cavities between the muscle bands; behind and to the right the body falls into black, and beyond the rim of that light nothing is visible at all -- a seamless dark void, no floor line, no horizon. The palette stays inside dark brown, rust-red, wet amber and black, with the saliva and the eye-clusters the only points of pale light. The texture is coarse: fine grain over the chitin sheen, ridges and pores and lubricated joints in focus, the far legs softened by the falloff. Monstrous, suffocating dread.
hudao
AI artwork
h
horror (theme), chimera, centipede and millipede hybrid, bipedal stance, muscular, ripped, extremely muscular, bodybuilder physique, wide back, defined abdominals, bulging biceps, thick thighs, two-legged stance, hunched forward, from below, dutch angle, low angle, full body, looking down at viewer, open mouth, mandibles, many legs, insect legs, segment exoskeleton, glossy carapace, chitin plates, spiny legs, whip-like legs, multiple eyes, eyeless, claws, grasping claw, long antennae, coiled body length, curled, reaching toward viewer, dramatic lighting, rim light, single light source, high contrast, dark background, fog, night, horror (aesthetic), terrifying, creepy, monstrous, no blood, no gore, no wounds, hands bare, dark palette, black and rust-orange and bone-white palette, cinematic Seen from below, a towering two-legged monstrosity fills the frame: the camera sits low near the ground, tilted a few degrees off level, so the creature's head is thrust high against a black sky and one thick clawed foot lands in the foreground with the toes spread wide on wet stone. Its build is the build of a bodybuilder grown wrong — a wide, knotted back arcing over a pair of slab-like pectoral plates, an abdomen split by deep grooves into ten disciplined segments of chitin, heavy biceps bunching at the shoulders, and thighs corded like cables; the torso leans forward, weight planted on the nearer leg, the far knee bent so the whole mass coils. Around that humanoid scaffolding, the chimera's second nature crawls: rows of flattened centipede legs run down both flanks, each leg a whiplash of jointed shell tipped with a hooked claw, and where the chest meets the shoulders the carapace loosens into the furred, fleshy ribs and tiny writhing forcipules of the other half of the cross — the soft parts glistening, the hard parts polished to a lacquered shine. The head is the fear: a narrow wedge of fused head-plates with two long antennae curving forward and down, a mouth opening too wide and lined with inward-curving mandibular teeth, and above it four small glassy eye-clusters set unevenly on the shell, catching the light like beads of oil. It gazes straight down the lens, mouth hinged open, antennae drifting forward as if tasting the air. One huge arm reaches out toward the viewer, the hand held open and the fingers splayed, the tips of the claws just short of the top of frame; the other arm hangs at its side, claws half-curled. Every joint in the reach is stated — shoulder rolled forward, elbow locked, wrist bent down — so the limb reads as a limb going somewhere, not a shape. The only light is a single cold source from above and behind the creature: it lays a hard white rim along the crown, the spine of the carapace and the tops of the outstretched arm, leaves the chest and face in livid half-shadow where the eye-clusters still glitter, and throws a long, deformed shadow across the wet ground toward the viewer. Beyond the low rim of the ground the background is unbroken black, hazed with a thin ground-mist that swallows the creature's lower legs and lets only the near foot stay sharp — mist curling around the foot proves the hot mass of the body above it. Palette is only lacquer black, rust orange along the segment seams, and bone-white in the highlights; nothing else is admitted. The tone is pure dread — quiet, enormous, patient.
hudao

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