๐ข Login Issue Resolved โ Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known serโฆ
View details
Natsuki Karin, Bashamichi
Show Parameters
- Original Prompt
- score_9, score_8_up, score_7_up, source_anime, n_karin, solo, twintails, purple hair, blue eyes, mole under eye, medium breasts, waitress, japanese_clothes, kimono, wide_sleeves, sleeves_rolled_up, yagasuri, tasuki, hakama, purple_hakama, hair_bow, name_tag, (best quality), (high quality), {masterpiece}, extremely delicate and beautiful, ultra-detailed, beautiful detailed eyes, restaurant, indoor, holding silver tray, smile, open mouth, leaning forward
- Size
- 896 x 1152
- Sampling Steps
- 14
- Sampling Method
- Euler a
- CFG Scale
- 2.5
- Negative
- lowres, bad, text, error, fewer, extra, missing, worst quality, jpeg artifacts, low quality, watermark, displeasing, oldest, early, chromatic aberration, signature, extra digits, artistic error, username, scan, abstract,bad eyes,bad finger, missing finger, extra arms, extra legs, bad anatomy, missing limb, disconnected limbs, inaccurate limb,bad face,malformed hands,trademark
Model & LoRA used
Similar Images
Show more
kantai_collection, akagi_\(kancolle\), mamiya_\(kancolle\), a beautiful girl with long brown hair and brown eyes, dressed in a traditional Japanese hakama skirt and a white kimono top with red accents and tasuki cords, smiles happily while using both hands to eat a square piece of red and brown 'neri yokan' (Japanese agar jelly dessert) from a ceramic plate. She is seated in a Japanese sweets shop. Another girl, Mamiya, with long brown hair styled with a hair ornament and hairclip, and wearing a ribbon, is serving the dessert. The interior of the shop features wooden beams, traditional lanterns, and a sliding door in the background. The atmosphere is warm and inviting, with soft lighting and a sense of nostalgic comfort. The detailed artwork captures the intricate patterns of the kimono, the texture of the ceramic plate, and the delicate nature of the dessert.
ใฒใใกใใ
mamiya_(kancolle), a female character from "Kantai Collection" is depicted in a cheerful pose, smiling warmly as she offers a plate of traditional Japanese sweets. She has long, flowing brown hair adorned with red hair ribbons, and her eyes are a warm brown, reflecting her gentle personality. She is dressed in a traditional Japanese waitress uniform, a yukata or kimono, which suits her role as a provider at a "sweet shop". She holds a tray with a dish containing a plate of "yokan" (Japanese agar jelly dessert), and the overall atmosphere of the image is one of hospitality, tranquility, and nostalgia, reminiscent of a classic Japanese sweets shop. The background features elements of a traditional Japanese interior, such as wooden structures, tatami mats, and sliding doors, with soft lighting that enhances the warm and inviting mood. The style of the image is detailed and polished, with a focus on capturing the essence of Japanese culture and the character's kind nature.
ใฒใใกใใ
ๅๅซ่ถ
ใซใฉใใต
mamiya_(kancolle), a female character from "Kantai Collection" is depicted in a cheerful pose, smiling warmly as she offers a plate of traditional Japanese sweets. She has long, flowing brown hair adorned with red hair ribbons, and her eyes are a warm brown, reflecting her gentle personality. She is dressed in a traditional Japanese waitress uniform, a yukata or kimono, which suits her role as a provider at a "sweet shop". She holds a tray with a dish containing a plate of "yokan" (Japanese agar jelly dessert), and the overall atmosphere of the image is one of hospitality, tranquility, and nostalgia, reminiscent of a classic Japanese sweets shop. The background features elements of a traditional Japanese interior, such as wooden structures, tatami mats, and sliding doors, with soft lighting that enhances the warm and inviting mood. The style of the image is detailed and polished, with a focus on capturing the essence of Japanese culture and the character's kind nature.
ใฒใใกใใ
Recommended Users
You might like
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โฆ โ โน ๐
(mai)
โโโฆโ๐๐๐! ๐๐จ๐ฎ ๐ฐ๐๐ง๐ง๐ ๐๐จ๐ฆ๐ ๐ข๐ง?โฌฉโคโ
๐๐ข๐๐๐โ็งๅณ ้ฌผ็ซ~๐ป
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
the lancer
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๐ตSurtur
helanx
ใใทใฅ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
๐ง๐
Janet reno
เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
Gojo & Geto's Playful Selfie! โจ
Momo
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
(โ -โ _โ -โ )โ ๐ฌโก๏ธ
(mai)
(ใฃ.โ แด โ.)ใฃ๐ซง๐
(mai)
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
โ
(mai)
่่ฝฆ
ๆ็ฉบsky
โ โง ๐ ๐งฃ ๐ โง
(mai)
โ (โ *โ หโ ๏ธถโ หโ *โ )โ .โ ๏ฝกโ *โ โก ๐ โ
(mai)
Comments