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AI art "klara" featuring #Pokémon, #Pokémon Sword and Shield and #Klara
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klara

#Pokémon#Pokémon Sword and Shield#Klara
l

Luanzinho

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Comments

klara (pokemon), white background, sitting, white shirt, long shirt,yujia pose,stretch,arms up,sitting,full body,profile,split,from side,feet,
Show Parameters
Quality Tag
﹝Prompts﹞, masterpiece, best quality
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
7
Negative
(bad quality, worst quality, worst detail, bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5), (nsfw:1.2), (nude:1.6), (nipple:1.2), naked

Model & LoRA used

NoobAI-XL (NAI-XL) - AI Model cover image

SDXL

NoobAI-XL (NAI-XL)
9.08k
瑜伽pose Yoga pose - AI Model cover image

User LoRA

瑜伽pose Yoga pose
103

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AI artwork
ク
character: yumemi_riamu 1girl, solo, yumemi_riamu, pink hair, two-tone hair, multicolored hair, short hair, ahoge, blue hair streaks, hair intakes, pink eyes, fang, huge breasts, bloomers, blue bloomers, high-leg bloomers, bare legs, bare arms, standing, leaning back, arms behind back, from below, cowboy shot, dutch angle, looking down at viewer, smug, one eye closed, open mouth, fang visible, :d, blush, head tilt, hair swaying, tilt-shift perspective, full body focus, plain background, seamless studio backdrop, gradient background, pink and cream palette. Shot from below at a strong dutch angle, the camera low near hip height so the figure towers slightly over the lens and the floorline cuts diagonally across the frame. She is caught mid-lean: weight rocked back onto her straight left leg, right knee bent and crossed slightly inward with the toe of the right foot resting on the ball, hips pushed forward, chest lifted — arms locked behind her back with both hands gripping the opposite wrist, elbows flared out, shoulders drawn back so the volume of her chest pulls the fabric taut and rides high on the ribcage. Her head tips to her right shoulder, chin down, and both pink eyes look straight down the lens with one eye squeezed shut in a wink; a small fang pokes out of a wide lopsided grin, a warm blush spread across both cheeks and the bridge of her nose. Her short two-tone bob swings outward at the jaw with the lean, the stray ahoge springing up and back, the blue underlayer at the nape lifting away from her neck. She wears only high-leg bloomers in a deep dusty blue with a pale cream front panel and a snug elastic waistband sitting low across the hips, the leg openings cutting high on the outer thigh and hugging the skin so the fabric bulges gently at the elastic edges; nothing else — bare arms, bare shoulders, bare legs, both feet in plain white socks on the ground. The bloomers' fabric stretches glossy across the hipbone and gathers in soft diagonal wrinkles where the waistband creases at her side; her thighs press together where the right knee crosses inward, one mound of skin compressed against the other. The set is an empty infinite studio sweep, a soft vertical gradient from warm cream at the floor to pale pink overhead, no props, no furniture, no shadow cast on a wall — she casts a short soft shadow directly beneath her feet that falls away from the lens. A single large softbox sits high and slightly front-left, so the key light rounds the top of her chest and the tops of her thighs, leaves a gentle shadow under the chin and under the bust line, and puts a narrow rim of near-white light along the outer edge of her left arm and left hip; the light falls off softly toward the lower right corner of the frame. Palette is held to dusty blue, cream, warm pink skin tones and the pink-cream background, nothing else admitted. Her grin and the downturned gaze do all the talking. Effortlessly cheeky, bright.
クワトロ大尉
#The Idolmaster#The Idolmaster Cinderella Girls#THE IDOLM@STER CINDERELLA GIRLS STARLIGHT STAGE

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