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se,genta_iwayama style,bara,male focus,dilf,daddy,mature male,middle-aged man,body all over sweating,body hair,facial hair,1boy,(EyesHD:1.2),(absurdres:1.2),best quality,masterpiece,male focus,scpmtf,night vision device,gas mask,combat helmet,gloves,knee pads,black assault visor,load bearing vest,bulletproof vest,thigh holster,ammunition pouch,body armor,combat boots,
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Size
768 x 1280
Sampling Steps
8
Sampling Method
DDIM
CFG Scale
3
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked

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genta_iwayama style - AI Model cover image

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SCP Mobile Task Force [Illustrious] - AI Model cover image

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AI artwork
YJ
1boy, solo, soldier, military, standing, cowboy shot, from below, slight turn, holding pistol, handgun, two-handed weapon grip, tactical black helmet, quad-tube night vision goggles, nvgs, tactical black headset, boom microphone, black gas mask, tinted lenses, tactical black heavy armor, plate carrier, tactical vest, molle webbing, magazine pouches, black combat uniform, tactical gloves, simple background, white background, studio lighting, crisp contact shadow, Viewed from slightly below in a three-quarters cowboy shot, a solitary male soldier stands in an athletic ready stance against a completely seamless, pure white studio sweep. His body is angled slightly off-center with his weight shifted forward onto the ball of his lead foot. Both hands, clad in reinforced black tactical gloves, grip a matte black semi-automatic pistol in a steady two-handed retention hold before his midsection, his primary trigger finger indexed safely along the weapon's slide. He wears a fitted black ripstop combat uniform beneath heavy tactical black body armor, the thick plate carrier bristling with structured magazine pouches, routing straps, and modular MOLLE webbing across the chest and flanks. Fastened securely by a chinstrap, a matte tactical black ballistic helmet sits over his head, mounting a set of quad-tube night vision goggles on its front shroud with four cylindrical objective lenses aligned in a distinctive panoramic row. A tactical black communication headset with earcup shells locks against the helmet's side rails, extending a slender boom microphone along the edge of his cheek. A seamless black gas mask covers his entire face beneath the helmet line, its dual tinted lenses completely hiding his eyes and reflecting twin pinpoint studio highlights, while the textured Cordura nylon of his heavy vest absorbs the light without shine. High-key neutral studio lighting carves razor-sharp rim highlights along his shoulders, helmet rim, and the barrel of the pistol, separating his dark silhouette entirely from the stark, unblemished white ground, where his heavy lugged combat boots cast tight, localized dark contact shadows directly beneath their soles. Lethal precision.
YJ
#zetaCollab#Boy#Black gloves
AI artwork
YJ
1boy, solo, male, full body, head to toe, standing, tactical armor, black tactical vest, shoulder armor, pauldrons, groin protection plate, codpiece armor, tactical helmet, quad-tube night vision goggles, GPNVG, four-lens night vision, M53A1 gas mask, round filter canister, holding rifle, gloved hands, white background, seamless white studio sweep, from above, slightly high angle, dutch angle, head tilted up looking through the goggles, three-quarter view, calm stance, weight on right leg, black palette, matte black, gunmetal grey, studio softbox lighting A single male figure fills the frame from a slightly high, tilted dutch angle, so his boots sit near the lower edge of the crop and the four cylinders of the goggles poke toward the lens. He stands on a seamless white studio sweep with no horizon, no floor seam and no cast shadow beyond a faint soft pool directly under his boots — the white wraps him on every side as pure negative space. His body is turned three-quarter to the viewer, left shoulder angled forward, weight carried on the right leg with the right hip pushed out and the left knee unlocked. A black plate carrier sits over a black combat shirt, thick and boxy, with squared pauldron plates strapped over both shoulders; a separate armored plate hangs from the front of the rig and covers the groin completely, its edge squared and rigid against his thigh. A black tactical helmet is buckled low across his brow, and the quad-tube GPNVG bracket projects out ahead of it on a stubbed arm, four fat cylindrical lens housings fanned in a wide arc — two angled left, two angled right — each capped with a dark ring and a faintly reflective glass face that catches the softbox. Below the goggles, the M53A1 gas mask covers his whole face: a broad rounded rubber shell, twin round eye lenses set deep behind thickened rims, and a single heavy cylindrical filter canister screwed to the front-left of the mask, its ridged metal collar visibly threaded. He holds a black rifle diagonally across his torso, the sling taut over his right shoulder; his right hand is gloved and clamped on the pistol grip with the trigger finger laid straight along the receiver, his left hand cupped under the handguard, and the barrel points down and off to the lower left of the frame. His head is lifted, chin raised, the four lenses tilted up toward the light, and the mask's twin round eye lenses aim up and off to the upper right, past the viewer's shoulder. Soft, even softbox light washes down from above the frame, catching the top faces of the shoulder plates, the helmet crown and the upper rims of the goggle tubes while the undersides stay dark — dust and a few fine scratches on the rubber mask and the metal tube housings, the gunmetal of the rifle duller than the flat black fabric, matte black, gunmetal grey and white only, no other colour admitted. Quiet, clinical, heavily equipped.
YJ
#zetaCollab#from above#Armor

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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