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AI art "雲と虹" featuring #Rainbow, #Plant, #Forest, #Sunlight, #Summer, #Cloudy sky, #Cumulonimbus cloud and #greenhouse
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雲と虹

#Rainbow#Plant#Forest#Sunlight#Summer#Cloudy sky#Cumulonimbus cloud#greenhouse
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東雲

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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sky only, no humans, landscape, cloudy sky, gradient sky, sunset, yellow orange and pink gradient sunset, sunlight showing between clouds, after rain, after storm, from below, pov, wide shot, looking up, sunbeams, backlighting, dramatic sky, detailed lineart, anime screencap, anime coloring, 8k The whole frame is sky and nothing else -- no ground, no horizon line, no rooftops, no birds, no figures -- a POV shot from below, as if the viewer has tipped their head all the way back and is looking straight up into the tail end of a storm. The composition is built in depth layers of cloud rather than in distance: a low ragged deck of dark slate-grey storm remnants crowds the outer edges of the frame, torn into long streaked tatters that thin and break toward the centre; behind and above it a second, higher, softer layer of cloud opens into a wide irregular clearing. Through that clearing the sunset shows as a vertical gradient read from the top of the frame downward -- deep rose-pink at the highest clouds fading through warm coral and apricot into a saturated orange, then into a broad band of molten yellow-gold where the sun sits just behind the torn edge of the storm deck. The sun itself is hidden; its light spills out between the cloud gaps as several distinct shafts, each one a hard-edged bright wedge stretching up and outward from the gap, the beams widening as they climb and fading into the pink. Every beam lands only where a gap permits: the cloud edges facing the sun are rimmed in hot gold, while their undersides and the thick storm masses at the corners stay in deep blue-grey shadow, so the bright areas are explained entirely by the openings between clouds and the darkness sits in the thickest cloud, never in the sky. Directly under the glowing cloud edges the vapor is thin and luminous and the pink deepens overhead. The after-storm evidence is in the texture of the sky: the cloud faces are still heavy and waterlogged, the gradient band behind them is washed clean and high-contrast, and near the thickest remaining clouds a faint, dim secondary bow of refracted light arcs across the upper right, its colours soft and translucent and its brightness unmistakably weaker than the sunset behind it -- the revealer that makes the just-passed rain visible. The beams catch on the residual haze, so each shaft has a soft luminous body rather than a hard line. The colour discipline is strict: yellow, orange and pink in the lit cloud and the gradient band; slate blue-grey and desaturated violet only in the storm remnants and their shadowed undersides; nothing else admitted. Lineart is crisp and detailed along the cloud rims, with the flat cel-shaded colour blocking of an animation screencap and smooth airbrushed gradations inside each band. High resolution and clean edge quality throughout. Serene, quietly exhilarating.
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