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生死不論

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生死不論

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Tsubaki v1.1 - AI Model cover image

PixAI DiT.1

Tsubaki v1.1
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no humans, empty room, boarding school communal bathroom at night, long row of white porcelain sinks, bank of mirrors, tiled walls, stall partitions, dripping faucet, high-contrast anime style, bold halftone dots, graffiti marks, punchy neon colors, thick outlines, dutch angle, wide shot, from below, one-point perspective corridor of stalls, foreground sink edge, night, darkness beyond the doorway Dutch angle, from below and slightly to one side, looking down the length of a boarding school communal bathroom at night: a long counter of white porcelain sinks runs away from the camera along the left wall, its near basin cropped by the frame edge in the immediate foreground, and a bank of mirrors above it repeats the row into the dark. The camera sits low and tilted so the counter's leading line rises diagonally, one-point perspective pulling the stall partitions and the far door into a narrow vanishing point; thick tiled walls close the space on both sides, white square tile with a dark grout grid, and the ceiling bulkheads overhead are lost to shadow. Everything is empty of people — the room itself is the subject. Each sink has a chrome cross-handle tap and a bare drain; the leftmost faucet drips and the falling thread of water is caught mid-air a hand's width above the basin, a small bead hanging at its tip. Every mirror is a cold grey plate holding only reflections of the opposite stalls and the far wall, none of them bright, and along the bottom of the biggest mirror a thin run of condensation has spread from the hot-water pipe. One stall door at mid-distance hangs ajar on its hinge, out of line with its neighbours, casting a wedge of shadow across the tiled floor; the floor is small hexagonal mosaic, wet in patches near the counter where the water has run along the grout seams and pooled under the nearest basin, doubling the reflection of the light. Light comes from a single row of caged ceiling fixtures, most dead, two still burning — a hard cold white-green glow that strikes the tops of the taps, the upper rims of the basins and the near face of the stall partitions, and leaves every underside, every gap under the doors and the whole back of the room in deep black; the surviving lights throw long hard shadows of the ceiling cages down the tiled wall, halftone dot screens breaking the gradient where the light falls off. The palette is narrow and deliberate: cold white, green-tinged grey and pitch black, cut by one punchy neon magenta tag scrawled across the tiled wall above the mirrors and a matching cyan scrawl on the far stall door, both thick-outlined and slightly bled, like spray on grout. Halftone dots pattern the shadow areas, thick black outlines hold every tile edge and chrome fitting, and the drip's tiny splash on the porcelain rings out perfectly circular in the still basin — the only motion in the frame. Quiet dread, humming fluorescent unease.
Ed Ryan
#Fate series#Fate/Grand Order
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(uniform sharp focus from foreground to background:1.45), (hard-edged two-tone cel shading and ultra precise linework on all background structures:1.45), (thick foreground lineart fading to thin distant lineart:1.4), (crisp edges:1.35), (consistent perspective:1.3), (clean architectural details:1.3), (flat color fills:1.2), (long hard cast shadows:1.1), hard light, (high-density information-overloaded illustration style:1.2), strong lines, ultimate details, extremely detailed background, public restroom interior, old tiled floor, concrete walls, row of urinal, shadowy atmosphere
backgrounder
#Perfect Background

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