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Show Parameters
- Original Prompt
- ankylosaurus，,Ankylosaurus_[Dinosaur],Tail with club,quadruped,ankylosaurus plates,flat color,no lineart,usnr,
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 6
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked
Model & LoRA used
![Ankylosaurus [Dinosaur] - AI Model cover image](https://images-ng.pixai.art/images/thumb/a1abdbf4-4d4d-4e3a-b3bd-4e7303033c0c)
Similar Images
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A wide shot, three-quarter view of a defensive earth dragon inspired by Ankylosaurus anatomy, positioned centrally in a rocky prehistoric landscape. The dragon possesses a broad, low-slung, tank-like body with a flattened torso hugging the ground. Its entire back is encased in a dense mosaic of interlocking hexagonal and polygonal osteoderm armor plates, with massive bony spikes and knob-like protrusions jutting from its shoulders, flanks, and tail. The head is broad with a beak-like snout, small eyes, and a natural bony helmet, while its short, pillar-like legs end in wide, clawed feet. Its powerful tail terminates in a massive bony hammer club. The setting consists of weathered boulders and sparse, primitive vegetation. The visual style combines (cel-shaded anime features) with sumi-e ink wash techniques, utilizing thick ink strokes and a palette of earthy browns, grays, and stone colors. The atmosphere is ancient and impregnable, characterized by (vibrant highlights) and a sharp focus that emphasizes the creature's immovable presence.
Pickles
自由の大地
NEKOYANAGI
a
giant tortoise, no shell, shellless bare back, exposed skin where shell would be, only lower half of head, head cut off at mid-level, only lower jaw and mouth region present, missing upper head, upper skull absent, single animal, concept art style composition, character turnaround sheet, multiple views, orthographic front view, orthographic side profile view, orthographic three-quarter view, from side, full body, standing on flat ground, elephantine legs, columnar legs, thick wrinkled skin, stubby clawed toes, bare muzzle, downturned mouth, closed mouth, fleshy neck, loose neck folds, dark beady eye absent, design sheet layout, neutral background, flat even lighting, muted earth palette, skin texture study.
A concept-art design sheet laid out on a seamless flat neutral parchment-grey field, no horizon, no landscape, nothing else in the frame: the huge shellless tortoise is shown three times as an orthographic study, a large side profile at centre, a smaller front view at upper left, and a three-quarter view at lower right, each standing squarely on the same flat ground line with its four columnar legs planted, weight settled evenly on both hind feet, the massive bare back arching up in a smooth unbroken dome of naked hide where a carapace would sit — the skin there drawn taut and creased with deep folds, toned a dull leathery grey-brown with darker creases and pale stretched highlights along the highest curve, no plate, no scute, no rim anywhere on it. The neck is thick and ringed with loose folds, swelling forward out of the shoulders, and it stops abruptly: the head is sheared off clean at mid-level, leaving only the lower jaw and the mouth region — a broad heavy jaw of the same wrinkled hide, a downturned lipless mouth line, the blunt chin resting low, and above that cut edge simply nothing, the cross-section shown as a flat blunt plane with a faint soft inner shadow, no eyes, no brow, no upper skull, no neck stump rising above it. Each leg meets the ground in a flat splayed foot with blunt claws pressing into the ground line, the near-side legs overlapping the far-side legs in the side view. All three views share one quiet, evenly diffused light from above with no directional drama, only soft contact shadows pooled directly under the feet to seat the animal, and small hatching in the creases to describe the leathery skin; palette held to a narrow range of warm grey, dusty umber, bone-pale highlights and a faint cool grey in the shadowed folds, the background left plain and untextured so the silhouette reads cleanly. Skin folds bunch and slacken at the shoulder and the jaw slack hangs slightly heavier on the near side, and where the cut plane meets the light it catches a paler grey than the surrounding hide, a single detail that tells the eye exactly where the head ends. Clinical, quiet, unsettling.
aaalingaaa
Anguirus?
BiitoreinGoji
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