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AI art "クレサンゼニス"
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クレサンゼニス

Avatar image of mami

mami

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full body, cool pose, legs together, master piece, best quality, ultra detailed, highres, extremely delicate and beautiful girl, solo, (side view:2.0), from side, type moon style, 2D, extremely delicate and beautiful, monster girl, {{{Blue Phoenix girl}}}, Beautiful detailed girl, mature, (blue:1.5, blue skin, blue body), {{short hair}}, bob cut, {{detailed white hair:1.2}}, (\(colored inner hair, blue inner hair\)), long bangs between eyes, Beautiful face, jitome, outh hold, closed mouth, large breasts, long legs, {{beautiful detailed blue eyes}}, hair ornament, {{{Spread blue flame winged arms}}}, floating blue feather, floating dress, black dress, frilled dress, dhalter dress, finely detailed cloth, black Clothes, bird legs, blue background, colored_skin, blue_skin, bluish_skin, no_warm_tone_skin, cool_tone_skin, blue_ears, blue_eartips, even_skintone, blue_lady, perwinkle_blue_skin, sky_blue_skin, dark_blue_skin, pastel_blue_skin, lilac_shadows, wingarms, winged arms,fgo sprite, full body, standing
Show Parameters
Size
1024 x 1024
Sampling Steps
30
Sampling Method
Euler a
CFG Scale
3
Seed
3211609975420121
Negative
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose
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AI artwork
PD
(artist:agoto:1.5). Captured from a high-angle, full-body shot with extreme front and side framing, this Agoto_style digital illustration employs loose, expressive brushstrokes, oilcolor-influenced fill-in, and shaded tint borders. The dynamic, painterly approach contrasts the surreal, Polite and elegant aesthetic with the character's imposing silhouette, utilizing a vibrant, high-contrast color palette dominated by striking White with a tint of blue to create a score of 9.0+. The subject is a tall girl with an athletic, toned build. (Polie and elegance design:2), Her long, snow-like white with a tint of blue hair is elongated and elegant, while right eyes are fully cover, her overall design are featuring mixed origami motifs throughout. Her ear have three feathers growing on each side that visibly reassemble the shape of bird wing the fall down due to gravitational pull; the elaborate part are not ears wing, it just three feather that grow out on each side and do look reassemblethe bird wing. She wears a stylized kimono, that look traditional and modern, it stylish dress with a shrine rope act as garter belt. An kimono long skirt completes the pleated, modernized design, her geta have one long single stand at it base, her kimono detached sleeves are look a like swan feather wing but instead it simplifies version with the element of origami with a tint of blue.
PD

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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2#Attack on Titan#Mikasa Ackerman
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