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user-1706704823887999051

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FZBiaoZhiS-R-GB Chinese font, no humans, text focus, comic, brown background, monochrome, chinese text, typography, bold text, centered, clean design, minimalist, graphic design, sans-serif, high contrast
Show Parameters
Original Prompt
FZBiaoZhiS-R-GB Chinese font, no humans, text focus, comic, brown background, monochrome, chinese text,
Size
768 x 512
Sampling Steps
20
Sampling Method
DPM++ 2M Karras
CFG Scale
6
Negative
worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t
Face Fix
HiRes

Model & LoRA used

Moonbeam - AI Model cover image

PixAI

Moonbeam
17.52k
FZBiaoZhiS-R-GB - AI Model cover image

User LoRA

FZBiaoZhiS-R-GB
0

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uy
no humans, two-page spread, paper, sheet of paper, handwriting, text, from above, top-down, flat lay, still life, manuscript paper, ink, sepia ink, high angle Viewed directly from above in a top-down flat-lay orientation, a two-page spread layout presents two adjacent rectangular pages of warm cream manuscript paper arranged side by side across the frame, divided by a crisp vertical center seam. Page 1 (left page): The surface is filled with dense, even rows of dark sepia-black handwritten script running horizontally across pale grey ruled guidelines. Centered across the upper margin, an underlined handwritten title in deliberate ink brush strokes reads "記録の断片". Below the title, twenty continuous lines of fine, flowing cursive calligraphy extend across the leaf, with delicate ink pooling at the end of each stroke and subtle variations in line weight marking where the pen pressed firmly into the paper. Page 2 (right page): The right leaf continues the manuscript text. In the upper right corner, a smaller calligraphic date stamp reads "十月十四日" alongside a neat page number reading "2". Below, fifteen lines of fluid handwriting match the rhythm and spacing of the left page before tapering off into a concluding three-line paragraph mid-sheet, leaving the lower third of the page as clean, unwritten cream expanse. Both sheets rest completely flat against a seamless matte dark charcoal ground, with their straight trimmed edges casting microscopic, razor-thin ambient occlusion shadows beneath them. Near the lower right corner of the right page, a subtle tension warp lifts the paper edge a single millimeter off the surface, casting a soft, tapered shadow beneath the corner that reveals the natural stiffness of the heavy cotton paper. Diffused soft warm light enters from the upper left at a shallow thirty-degree angle, grazing the fibrous tooth of the paper to highlight the micro-indentations pressed into the grain by the pen tip, while wet pooling sections of dense ink catch faint specular sheen. The palette is strictly restrained to ivory parchment, warm cream, iron-gall sepia-black ink, and the deep charcoal ground. Scholarly quiet.
ut yatu
AI artwork
uy
no humans, two-page spread, paper, sheet of paper, handwriting, text, from above, top-down, flat lay, still life, manuscript paper, ink, sepia ink, high angle Viewed directly from above in a top-down flat-lay orientation, a two-page spread layout presents two adjacent rectangular pages of warm cream manuscript paper arranged side by side across the frame, divided by a crisp vertical center seam. Page 1 (left page): The surface is filled with dense, even rows of dark sepia-black handwritten script running horizontally across pale grey ruled guidelines. Centered across the upper margin, an underlined handwritten title in deliberate ink brush strokes reads "記録の断片". Below the title, twenty continuous lines of fine, flowing cursive calligraphy extend across the leaf, with delicate ink pooling at the end of each stroke and subtle variations in line weight marking where the pen pressed firmly into the paper. Page 2 (right page): The right leaf continues the manuscript text. In the upper right corner, a smaller calligraphic date stamp reads "十月十四日" alongside a neat page number reading "2". Below, fifteen lines of fluid handwriting match the rhythm and spacing of the left page before tapering off into a concluding three-line paragraph mid-sheet, leaving the lower third of the page as clean, unwritten cream expanse. Both sheets rest completely flat against a seamless matte dark charcoal ground, with their straight trimmed edges casting microscopic, razor-thin ambient occlusion shadows beneath them. Near the lower right corner of the right page, a subtle tension warp lifts the paper edge a single millimeter off the surface, casting a soft, tapered shadow beneath the corner that reveals the natural stiffness of the heavy cotton paper. Diffused soft warm light enters from the upper left at a shallow thirty-degree angle, grazing the fibrous tooth of the paper to highlight the micro-indentations pressed into the grain by the pen tip, while wet pooling sections of dense ink catch faint specular sheen. The palette is strictly restrained to ivory parchment, warm cream, iron-gall sepia-black ink, and the deep charcoal ground. Scholarly quiet.
ut yatu

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