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Potaziouwu

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1girl, itoshi sae\(blue lock\), teal eyes, underlashes, reddish-brown hair, emo, gothic, dark clothes, long sleeves\(black and white\), emo skirt, sitting, bored expression, holding chips, khyleri style
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Original Prompt
Itoshi Sae, Blue Lock female, teal eyes, underlashes, reddish-brown hair,With an emo and gothic,Wearing dark clothes with long black and white sleeves, an emo skirt, and sitting bored with a bag of chips khyle.,Khyleri style
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
5
Negative
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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r0
artist: ratatatat74 1girl, solo, white outline, beautiful face, anxious, worried, furrowed brow, slightly parted lips, long hair, voluminous hair, curly hair, auburn hair, brownish orange eyes, soft feminine silhouette, curvy, wide hips, thick thighs, plush stomach, oversized sweater, long sleeves, knit sweater, apartment, living room, couch, coffee table, indoors, volumetric lighting, light rays, dramatic backlighting, rim lighting, sharp cel-shading, high contrast, depth of field, cowboy shot, from above, moody atmosphere Seen from slightly above in a cowboy shot, a young woman perches tensely on the edge of a living room sofa, her knees drawn close together and weight shifted forward. Her long, voluminous auburn hair tumbles in heavy, soft curls over both shoulders and down her chest, framing a delicate, beautiful face. Her wide brownish-orange eyes glance upward toward the viewer with a distinctly anxious, uneasy expression, her eyebrows pinched in worry above slightly parted, trembling lips. She wears a thick, cream-colored oversized sweater whose elongated ribbed sleeves engulf her hands, her fingers nervously gathering and pulling at the woolen fabric across her lap. The generous, wide curves of her hips and the soft, plush fullness of her stomach press visibly against the heavy knit, causing the ribbed weave to pull taut across her midsection before draping loosely around her thighs. A stark, crisp graphic white outline traces cleanly along the entirety of her outer silhouette, setting her sharp contours distinctly apart from the background. Behind her, the apartment living room is rendered in rich interior detail, featuring a low wooden table in the immediate foreground, textured couch cushions compressed beneath her seat, and tall blinds across a far window. Brilliant volumetric lighting cuts diagonally through the room from the window slats, illuminating tiny floating dust motes within the radiant light beams. Intense rim lighting and dramatic backlighting sculpt the edges of her curls and sweater, casting sharp cel-shaded shadows across the folds of fabric and deep into the softly blurred depths of the room. Warm amber and auburn tones contrast against the muted apartment neutrals and crisp white silhouette line. Vulnerable, tense anticipation.
rahh02
AI artwork
Avatar image of MegumIA
1girl, solo, full body, lying on back, upside-down, on back, short hair, green hair, green eyes, smile, grin, parted lips, looking at her phone, holding phone, black shirt, black sweater, long sleeves, necklace, jewelry, headphones, blue denim shorts, short shorts, denim, fishnet pantyhose, black shoes, indoors, poster (object), snacks around the floor, from above, high angle, foreshortening, dutch angle Full body, seen from above and slightly behind her head in a steep high angle with a mild dutch tilt, the girl lies flat on her back on a bare wooden floor, her body running from the top of the frame toward the bottom so that her head hangs past the near edge toward the viewer, upside-down from the camera's standpoint: her short green hair spills loose and fans out on the boards below her crown, strands splayed in every direction with the ends lifting slightly away from the planks, and the blood-slow weight of it pulls the locks closest to the floor into soft flattened curves. Her chin is tipped back, throat extended, so that her face reads inverted to the viewer: green eyes angled up toward the phone she holds above her face, both lids half-lowered in concentration, one brow lifted a fraction higher than the other, lips parted in a wide easy grin that shows a sliver of teeth. She grips the phone in her right hand, fingers curled around its lower edge, thumb braced on the side, the phone held at a slight angle so it casts a bar of cool glow across her cheekbones and the underside of her chin; her left arm lies flung out across the floor, elbow soft, knuckles resting against the boards. Her torso is wrapped in a black long-sleeved sweater, the knit bunching into thick folds across her stomach where her back arches against the floor, the collar loose enough to expose her collarbones and the fine chain of a small necklace lying flat in the hollow of her throat, its pendant slid off to one side under gravity; over her ears sit a pair of round headphones, the band arcing beneath the back of her head and pressing flat into her hair. Below the sweater hem her blue denim short shorts sit low on her hips, the front pockets and copper stitching visible, the cuffs frayed, and beneath them black fishnet pantyhose makes a fine diamond lattice down both legs, the weave pulling into wider rhombuses where it stretches over her knees and thinning to tight mesh at the ankles; black low shoes on both feet, one toe turned inward, the other pointing up out of the frame's lower edge. The floor around her is scattered with snacks — a tipped open bag spilling chips in a loose arc beside her hip, two crumpled wrappers, a can lying on its side, a few stray puffs resting between her fingers and near her elbow — the debris spread wider on the side where her arm has swept through it. Directly behind her, on the wall that runs along the top of the frame, hangs a single paper poster, its lower corner curling away from the plaster, printed imagery reduced to soft unreadable shapes. The room's only light is a warm lamp off-frame to the left plus the cold blue-white of the phone screen; the lamp lays a long soft shadow of her legs across the boards to the right, and the phone's glow lights a narrow oval on her face, leaving her hair and the far side of the room in dusk. Palette of black knit, indigo denim, warm honey-brown floorboards and the phone's cyan — relaxed, lazy afternoon.
MegumIA

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