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View detailsブログ妖精ココロ オトナの缶詰
令和の生成技術で 時代に取り残された妖精たちが、 再び目を覚ます。 缶詰の蓋を開ければ、希望と共に何かが飛び出す… 缶詰の底に潜むものは、救いか、それとも――。 さて、ブログ妖精ココロを 再構成してみましたが、 令和の技術力でも 時代の変化はどうにもできなかったようだ でもせっかく睡眠削って デスマして詰め込んだのだから、 ユーザーの皆様にご提供いたします (思い出を)温めたりそのまま使ったり、 いろいろ調整したりご自由に LoRAをお使いください こつえーファンは多分必要無いでしょうけど、 (個人の感想ですが、多分AIイラスト嫌いが多そう) これで創作の幅が広がれば幸いです 自由にいじくり倒して良いですが、 過度な演出はご注意ください 妖精の恨みや嫉妬は恐ろしいものですので… 内容;ココロ再生話12話(修正前もあるよ) 特典;LoRA全5種(ココロ姉妹は2種類) 短編 以下、全話ラインナップ EP01 なんだなんだターミネーター https://pixai.art/artwork/1940634043518972302?utm_medium=referral&utm_source=twitter&utm_content=share 加筆 https://pixai.art/artwork/1942075124224841926?utm_medium=referral&utm_source=twitter&utm_content=share EP02 灰暗い狭間の底から https://pixai.art/artwork/1940638363923134254?utm_medium=referral&utm_source=twitter&utm_content=share 加筆 https://pixai.art/artwork/1942080176451563107?utm_medium=referral&utm_source=twitter&utm_content=share EP03 メロンソーダに溺れるより、逃げたい https://pixai.art/artwork/1940641000682369217?utm_medium=referral&utm_source=twitter&utm_content=share 加筆 https://pixai.art/artwork/1942084769560174341?utm_medium=referral&utm_source=twitter&utm_content=share EP04 コロスは起こせない https://pixai.art/artwork/1946654769688043744?utm_medium=referral&utm_source=twitter&utm_content=share EP05 三体合体⁉ろくなもんじゃねぇ https://pixai.art/artwork/1946659221547354859?utm_medium=referral&utm_source=twitter&utm_content=share EP06 何が君の幸せ、何をして喜ぶ https://pixai.art/artwork/1949174095783368554?utm_medium=referral&utm_source=twitter&utm_content=share EP07 ノンクリエイトのシシャ https://pixai.art/artwork/1948940798281207575?utm_medium=referral&utm_source=twitter&utm_content=share EP08 資本は依存する。文化は廃れる。そして封印される https://pixai.art/artwork/1948944545665043328?utm_medium=referral&utm_source=twitter&utm_content=share EP09 ココロの補完、できました https://pixai.art/artwork/1949190816389451258?utm_medium=referral&utm_source=twitter&utm_content=share EP10 長寿だけで、なにがめでたい https://pixai.art/artwork/1949225460588832877?utm_medium=referral&utm_source=twitter&utm_content=share EP11 むーちゃんズ・リポート https://pixai.art/artwork/1949671691071791491?utm_medium=referral&utm_source=twitter&utm_content=share EP12 ココロ、どうしたのかな🈡 https://pixai.art/artwork/1950028420497126686?utm_medium=referral&utm_source=twitter&utm_content=share 「あとがき -残響のボウル-」 https://pixai.art/artwork/1949548060871980907?utm_medium=referral&utm_source=twitter&utm_content=share その他イラストのイメージとして 「とある絵描きの黒歴史(アカシックレコード)」 https://pixai.art/artwork/1942778905980517068?utm_medium=referral&utm_source=twitter&utm_content=share 「逃亡の果てのメロンソーダ」 https://pixai.art/artwork/1940641000682369217?utm_medium=referral&utm_source=twitter&utm_content=share 商品のモデルはかつてのPCソフトメーカー エルフ(現:FANZAゲームズ)が発売した商品 「エルフ 大人の缶詰」 実物の商品は25年前…
Show Parameters
- Original Prompt
- Orange and white outfit, blue eyes, short blue hair,<Blog Fairy Cocolo,LoRa>,<LoRa-co2a_DiT V1>/ looks like a loli, About 8 yo, matte painting, very shiny hair, faintly glowing particles of light of various sizes,
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler
- CFG Scale
- 4.5
- Negative
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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