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Show Parameters
- Size
- 896 x 1152
- Sampling Steps
- 27
- Sampling Method
- Euler a
- CFG Scale
- 4
- Negative
- bad quality,worst quality,worst detail,sketch,censor,signature, text, monochrome, rough sketch, fewer digits, extra digits, worst quality, low quality, sketch, interlocked fingers, comic, bad anatomy, lowres, bad hands, greyscale, watermark, framed, outside_border, two heads, two persons
Face Fix
Model & LoRA used
Similar Images
Show more妬辺様
博和
妬辺様
博和
エ
1girl, solo, full body, standing, straight back, facing viewer, arms at sides, baby face, cute face, round face, compact face, full cheeks, soft facial contour, big eyes, gentle eyes, lowered outer corners, warm gaze, moist shiny eyes, gradient eyes, pink eyes, heart-shaped pupils, giant heart pupils, love-struck expression, smile, crying, tears, tearful smile, blush, dewy skin, long hair, ahoge, black outfit, full bust, gigantic hips, round hips, wide hips, fleshy volume, soft fleshiness, circular silhouette, infant body shape, short limbs, ika-hara, pot belly, white background, looking at viewer, seductive smile, half-closed eyes, closed_eyes, wet eyes, soft haze
Full body, facing the viewer head-on and standing perfectly upright: the figure is centered on a completely blank white field with no floor line, no horizon and no props, so the silhouette reads whole from hair to feet. Long hair hangs straight down past the shoulders, its weight pulling it into a narrow frame around the face; a single stubborn ahoge springs up and hooks forward from the crown, and its tip curls over to catch the light. The head has a compact round width with full cheeks and a soft jaw that dissolves into the neck; the eyes are big, the outer corners lowered, and the gaze carries warmth rather than brightness -- the moist shine sits as a thin glossy layer on the wet surface of each eye rather than as a sparkle. The pupils are drawn enormous, each one a perfect pink heart of layered magenta-to-pale pink gradient with a darker rim, blooming into the iris so the eye reads almost entirely heart; a bead of moisture swells at the lower lid of the left eye and trembles there, not yet falling, and a second tear has broken and runs a single wet line down the right cheek, catching the light along its whole length. The mouth is a small smile with the corners tilted up despite the tears, lips slightly parted, wet shine on the lower lip.
The build: shoulders narrow and short arms hanging straight down; both upper arms pressed lightly to the sides with the elbows just clearing the hips, hands half-curled and slack; the bust is full and heavy enough that its undersides press the fabric; the ribcage drops into a soft round belly that pushes forward over a low waistband; the hips flare extremely wide and round so the outline of the body traces a closed circular silhouette; below them short legs descend straight, feet flat and set shoulder-width, the weight distributed evenly.
The outfit is a plain black one -- a simple black long-sleeved top with a rounded neckline over black leggings that hug the body's curves, hem tucked in, with only the faintest satin sheen running down the lit right-hand side of each shape so the black reads as soft fabric rather than a void. The folds press inward under the bust and under the belly, then pull tight across the widest point of the hips.
Light: high soft key light from directly in front and slightly above, casting no hard shadow and no floor shadow against the white field; the figure's edges dissolve into a faint soft rim of white haze so the body appears to float in the blank ground. Skin is rendered with blended gradients, warm highlights along the forehead, nose bridge, cheekbones and collarbone, and a dewy moist sheen that keeps the surface glossy and almost airbrushed. Palette held to black, the warm pale skin, and the pinks of eyes, tears and blush, on white. Tender and love-struck.
エンドルフィン
妬辺様
博和
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