Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…
View details
Show Parameters
- Original Prompt
- палач, взмахнув огромным топором, одним ударом отрубил голову девушке, лежащей на плахе. Причем жертва лежала совершенно спокойно и лишь немного вскрикнула, когда топор начал опускаться. Отсечённая голова покатилась в пыль. А обезглавленное тело ещё некоторое время продолжало дёргаться
- Quality Tag
- high quality, year_2025, year_2024, ﹝Prompts﹞
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler
- CFG Scale
- 4.5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked
Model & LoRA used
Similar Images
Show more
...
。𝓘𝓼𝓲𝓭𝓸𝓻𝓪·﹑☾
1girl, solo, close-up, face focus, crying, streaming tears, green eyes, wet eyelashes, slightly disfigured face, scarred uneven skin, misshapen jawline, messy makeup, smeared black eyeliner, raccoon eyes, runny mascara tracks down cheeks, smudged dark lipstick, black hair, messy hair, asymmetrical hair, one side long hair, one side short hair, bald spots on head, patchy scalp showing through, mud on hair, matted mud strands, mud on cheek, dark green worn shirt, worn leather jacket, scuffed leather, long worn dark pants, steel chains hanging from pants, black winter gloves, black worn combat boots, sitting on floor, legs crossed, hands over knees, hugging knees, kneeling, abandoned camp, indoors, wooden cabin, worn wooden walls, plank walls, dim interior, desaturated palette, muted browns, cold green, grim, tag run end,
A tight close-up from slightly above and a little to her left, the camera close enough that her face fills most of the frame and the crown of her bowed head tilts toward the lens; behind her the worn plank wall of the cabin recedes out of focus, one vertical seam crossing the frame just past her right cheek and the darker corner of the room sitting in the upper left. She sits on the cabin floor with her legs crossed at the ankles and her knees drawn up; both black-gloved hands rest one over the other on top of her knees, the leather of the gloves cracked at the knuckles, the fabric of the long dark pants bunched where her shins cross. Her torso is hunched forward so the collar of the worn leather jacket rides up against her jaw and the dark green shirt shows at the open front, the leather creased and dulled at the shoulders. The steel chains hang from the sides of her hips and drop out of the bottom of the frame, their links catching a thin highlight. On the floor below and slightly behind her knees, out of focus, the flat blade of a machete lies across the boards, and a hockey mask splattered with drying blood rests face-up on the floor beside it, its eyeholes dark.
Her black hair is uneven — one side falls long and lank past her shoulder, the other is chopped short and sticks out in tufts — and it is matted with mud, the wet clumps weighing the long side down against her cheek while bare patches of scalp show pale between the strands on the short side. Her face is slightly disfigured: the skin uneven and drawn, one cheek hollowed, the line of her jaw crooked. Her makeup has run — black eyeliner smeared into the hollows under her eyes, mascara tracked down both cheeks in wet dark lines, dark lipstick smudged past the corner of her mouth. Her green eyes are open and wet, glossy with tears, and she stares down and to the side at nothing on the floor, her brows drawn together and her lower lip trembling, a fresh tear breaking loose and running into the mud streak on her cheek. The light comes from a single weak source at the left of the frame, falling across the left side of her face and leaving the right side and the corner behind her in shadow; the tears catch it as small bright points. The palette is confined to cold desaturated browns, dull dark green, worn black leather, and the wet shine of her eyes, with the cabin's faded wood behind her. Quiet dread.
The Dark Demoness
The Butcher of the Graveyard Wetlands
paul su
tt
character: forsaken_murderer, 1 female, solo, brown hair, messy, long hair, pink eyes, round eyes, blushing, medium breast, dynamic pose, iron hammer, grey hammer-shaped head, hammer on floor, black handle, yellow cloth wrapped around the handle, pale yellow shirt, straitjacket, body harness, brown trousers, multiple black straps wrapped around the mouth, lobotomy corporation, forsaken murderer, vintage-style checkered floor, cracked floor, old wooden table, old wooden chair, swinging the hammer, blood, black human figure being struck by a hammer, dynamic pose, window, horizontal slat window blinds, broken horizontal slat window blinds, old papers on the floor, project moon style, Ratatatat74, lcbnagartstyle, vignetting, dynamic lighting, thin linework.
Trái Táo Sắt
Recommended Users
You might like
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).｡*♡ 🍁 ☕
(mai)
Comments