Show Parameters
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose
Face Fix
Model & LoRA used
Similar Images
Show more
ultra-wide, extreme low angle, ground-level shot from the floor, 1girl, solo, black hair, inner-curl bob cut, short-sleeved cotton t-shirt, modern casual clothes, black bike shorts, black thigh-high socks, chunky white and grey sneaker, high kick, kicking toward viewer, powerful kick, extended leg, sole of foot facing viewer, foot in foreground, forced perspective, extreme foreshortening, foreshortening on leg, shallow depth of field, depth of field, blurred background, fighting game splash art, dramatic lighting, cinematic composition, photorealistic textures, night, neon lights, Japanese entertainment district, Hamamatsu, illuminated tower, distant tower, vertical framing, sharp focus on sneaker, bokeh,
The camera sits flat on the pavement and looks up the length of her body along a hard diagonal: the forward foot is crushed into the immediate foreground at the lower centre of the frame, the shoe's rubber sole rotated squarely at the lens so its tread blocks and toe-spring fill a third of the picture, laces pulled into taut X's across the tongue, a scuff of pale grey grinning off the toe cap. Behind it the shin rises steeply, black thigh-high sock stretched tight over the calf with the fabric's micro-ribbing catching a red neon edge along one side and a cyan edge along the other, the sock's cuff gripped at mid-thigh and squeezed into a soft horizontal roll against bare skin. Above that, black spandex bike shorts crease and ride high over the driving hip, the short-sleeved cotton tee heaving up with the lift of the ribs, and her head snaps back at the top of the frame, black inner-curl bob thrown outward in a fan of blunt-tipped locks, both eyes narrowed and fixed dead down the sight-line of her own ankle at the viewer's face, lips parted on the breath of the strike. Her weight rides entirely on the support leg planted behind and out of clear focus; the kicking leg's knee is snapped through, ankle locked, toes driven forward inside the shoe. The rear foot's grip on the ground is implied only by the deep crouch of the shadow gathering under the standing calf.
Light: the street itself is the source, a rising wash of magenta shopfront glow from the left below and cold cyan signage from the right, so the sneaker's upper takes magenta on its outer flank and cyan across the laces, and the shadow the raised sole casts falls back along the sock rather than onto the ground. Everything beyond her hip dissolves โ the entertainment district recedes into a layered blur of red and pink lantern strips, vertical signboards stacked with unreadable glowing characters, the black railings of a crossing, and the wet asphalt holding long vertical smears of every neon above it. Far back and clean of all clutter, the tall twin-shafted tower of the city's landmark rises above the low rooflines, its lit observation levels banded in warm white against the night haze, its silhouette held crisp only because it is the one thing the blur lets stay legible. Single point of physics worth noticing: the wet ground mirrors each sign in vertical streaks, and the mirrored colours are darker and softer than their sources.
Palette is locked to black, magenta, cyan and the warm white of the distant tower, with the sneaker the only pale grey mass in frame. Quiet, coiled violence.
้ป
Girl
ๆฅๆๅ
่ป(Hinari Kougun)
ultra-wide shot, extreme low-angle, ground-level shot, from below, foreshortening, forced perspective, single leg raised, kick, foot toward camera, sole of shoe, sneaker in foreground, close-up on shoe, depth of field, blurry background, bokeh, 1girl, solo, young female fighter, black hair, bob cut, inner-curl bob, short hair, blunt bangs, hair curving inward at the nape, modern casual clothes, oversized cropped hoodie, black bike shorts, thigh-high socks, sneakers, dynamic pose, mid-kick, powerful kick motion, launching kick at viewer, arms thrown back, torsoTtilted back, open mouth, fierce grin, determined eyes, looking down at viewer, night, night city, neon lights, neon signage, Japanese entertainment district, Hamamatsu, street, wet asphalt, reflections, tall illuminated tower, lattice tower, distant skyline, dramatic lighting, rim light, cinematic composition, fighting game splash art, photorealistic textures, high detail, vibrant colors, high contrast
The camera is jammed against the asphalt at ground level and tilted steeply upward, so the whole frame is one long diagonal of leg: the girl's extended right foot and its sneaker fill the lower-left foreground at enormous scale, laces and the scuffed rubber toe cap and the treaded sole reading in crisp photorealistic detail, while her planted left leg, black bike shorts and oversized cropped hoodie recede sharply up and back toward the upper right, knee bent tight to her chest as she drives the kick. Forced perspective is extreme: the sole of the sneaker is wider than her shoulders behind it. Her black inner-curl bob swings up and away from her face with the momentum, blunt bangs lifting off her brow, the ends curling inward at her nape; her chin is tucked and she looks straight down the length of her own leg at the viewer, fierce open-mouthed grin, one eye narrowed. Both arms are flung back and out for counterbalance, hoodie sleeves shoved to the elbow, thigh-high socks pulled taut with a garter band of bare thigh above each knee. Her weight rides on the ball of the planted left foot, its sneaker gripping the wet asphalt where a thin fan of water sprays outward from the pivot.
Behind and around her the street falls into shallow depth of field, smeared into bokeh: a narrow Hamamatsu entertainment-district lane of stacked signboards, vertical neon in magenta, cyan and hot amber, izakaya lanterns, wet asphalt drinking long vertical streaks of the colors, and far up the avenue the pale lattice of the tall illuminated tower rising above the rooftops against a deep blue-black sky. The neon signs form the only light source: cool magenta rims the undersides of her raised leg and sneaker, warm amber catches her jaw and the inner edges of her arms, and the darkness between signs stays absolute. Palette is locked to neon magenta, cyan, amber and the black of her hair, shorts and socks, with the white sneaker sole as the brightest plane in frame. Cinematic, electric, explosive.
้ป
ultra-wide shot, extreme low-angle, ground-level shot, from below, foreshortening, forced perspective, single leg raised, kick, foot toward camera, sole of shoe, sneaker in foreground, close-up on shoe, depth of field, blurry background, bokeh, 1girl, solo, young female fighter, black hair, bob cut, inner-curl bob, short hair, blunt bangs, hair curving inward at the nape, modern casual clothes, oversized cropped hoodie, black bike shorts, thigh-high socks, sneakers, dynamic pose, mid-kick, powerful kick motion, launching kick at viewer, arms thrown back, torsoTtilted back, open mouth, fierce grin, determined eyes, looking down at viewer, night, night city, neon lights, neon signage, Japanese entertainment district, Hamamatsu, street, wet asphalt, reflections, tall illuminated tower, lattice tower, distant skyline, dramatic lighting, rim light, cinematic composition, fighting game splash art, photorealistic textures, high detail, vibrant colors, high contrast
The camera is jammed against the asphalt at ground level and tilted steeply upward, so the whole frame is one long diagonal of leg: the girl's extended right foot and its sneaker fill the lower-left foreground at enormous scale, laces and the scuffed rubber toe cap and the treaded sole reading in crisp photorealistic detail, while her planted left leg, black bike shorts and oversized cropped hoodie recede sharply up and back toward the upper right, knee bent tight to her chest as she drives the kick. Forced perspective is extreme: the sole of the sneaker is wider than her shoulders behind it. Her black inner-curl bob swings up and away from her face with the momentum, blunt bangs lifting off her brow, the ends curling inward at her nape; her chin is tucked and she looks straight down the length of her own leg at the viewer, fierce open-mouthed grin, one eye narrowed. Both arms are flung back and out for counterbalance, hoodie sleeves shoved to the elbow, thigh-high socks pulled taut with a garter band of bare thigh above each knee. Her weight rides on the ball of the planted left foot, its sneaker gripping the wet asphalt where a thin fan of water sprays outward from the pivot.
Behind and around her the street falls into shallow depth of field, smeared into bokeh: a narrow Hamamatsu entertainment-district lane of stacked signboards, vertical neon in magenta, cyan and hot amber, izakaya lanterns, wet asphalt drinking long vertical streaks of the colors, and far up the avenue the pale lattice of the tall illuminated tower rising above the rooftops against a deep blue-black sky. The neon signs form the only light source: cool magenta rims the undersides of her raised leg and sneaker, warm amber catches her jaw and the inner edges of her arms, and the darkness between signs stays absolute. Palette is locked to neon magenta, cyan, amber and the black of her hair, shorts and socks, with the white sneaker sole as the brightest plane in frame. Cinematic, electric, explosive.
้ป
Recommended Users
You might like
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โฆ โ โน ๐
(mai)
โโโฆโ๐๐๐! ๐๐จ๐ฎ ๐ฐ๐๐ง๐ง๐ ๐๐จ๐ฆ๐ ๐ข๐ง?โฌฉโคโ
๐๐ข๐๐๐โ็งๅณ ้ฌผ็ซ~๐ป
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
the lancer
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๐ตSurtur
helanx
ใใทใฅ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
๐ง๐
Janet reno
เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
Gojo & Geto's Playful Selfie! โจ
Momo
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
(โ -โ _โ -โ )โ ๐ฌโก๏ธ
(mai)
(ใฃ.โ แด โ.)ใฃ๐ซง๐
(mai)
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
โ
(mai)
่่ฝฆ
ๆ็ฉบsky
1
โ โง ๐ ๐งฃ ๐ โง
(mai)
โ (โ *โ หโ ๏ธถโ หโ *โ )โ .โ ๏ฝกโ *โ โก ๐ โ
(mai)
Comments