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AI artwork featuring #Gundam, #Mobile Suit Gundam and #EVE Online for keywords biomechanical war tank non-human
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Gundam, Mobile Suit Gundam

#Gundam#Mobile Suit Gundam#EVE Online
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biomechanical war tank non-human
Show Parameters
Quality Tag
best quality,masterpiece, ﹝Prompts﹞
Size
768 x 1280
Sampling Steps
25
Sampling Method
Euler a
CFG Scale
6

Model & LoRA used

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AI artwork
Avatar image of クロックロック
1 giant machine, no humans, giant humanoid tank, super-heavy armor, doll-shaped chassis, four crawler tracks split front and rear, segmented continuous tracks, curved front hull armor, large armor plates on both arms, right forearm replaced by high-speed rotating bucket wheel excavator, spinning bucket wheel, left arm converted into large rail cannon, six large modular missiles mounted on back, missile rack, scope on head, radar dome on head, large high-output boosters on leg sides, heavily armored boosters, nozzle glow, trampling through city, crushing buildings, daytime, from below, low angle, foreshortening, dutch angle, wide shot, dust cloud, rubble, debris, smoke, lens flare, blue sky, daylight, mechanical detail, no text, no humans The camera sits low at street level, tilted a few degrees off horizontal, so the machine towers up out of the frame and its head is cropped by the top edge while its tracks fill the lower third. Seen from this worm's-eye view: the four crawler tracks split front and rear, each a broad segmented band of dull steel, the front pair climbing over the crushed floor slabs of a mid-rise office block whose concrete facade buckles and spills rebar outward; fresh rubble piles in ridges at the track mouths and spills into the street. Above the tracks, the front hull curves forward like a rounded prow, its curved plate scuffed and scratched and streaked with concrete dust. Both arms hang at the machine's sides under enormous slab armor plates bolted at the shoulders. The right forearm terminates in a bucket-wheel excavator tipped forward so the wheel's toothed rim bites into a collapsed rooftop, one bucket scooping up a clod of concrete and rebar; a fine spiral of dust and grit is flung tangentially off the spinning wheel. The left forearm is a long rectangular rail cannon, twin rails running its length, the muzzle aimed low and forward across the street, a faint heat shimmer above the rails. Behind the shoulders, six large modular missiles sit upright in a rack, each cylindrical body with visible seams and fin assemblies, casting hard shadows on the machine's back. The head is a blunt armored casque with a cylindrical scope protruding forward and a shallow radar dome on top, its dish sweeping. On the outer faces of the leg assemblies, large armored boosters clamp on, their nozzles angled down and back, edges glowing a dull orange at idle. Beyond the machine, a daytime city street recedes: glass towers on both sides catching the sun, a few windows flashing where they face the light, cars stopped and crushed, a haze of dust filling the middle distance. The light comes from high and slightly behind the machine, so the armor's upper planes are bright and warm while the undersides of the tracks, the belly and the underside of the arms sit in deep shadow, and the machine's great cast shadow falls across the street directly toward the viewer, swallowing rubble and road. Palette: steel grey and gunmetal for the machine, warm concrete beige and dust ochre for the city, a cool blue sky at the top corners, orange booster glow as the only saturated accent. Dust drifts through the light, fine motes swirling. Crushing, colossal.
クロックロック
AI artwork
Avatar image of クロックロック
1 giant machine, no humans, giant humanoid tank, super-heavy armor, doll-shaped chassis, four crawler tracks split front and rear, segmented continuous tracks, curved front hull armor, large armor plates on both arms, right forearm replaced by high-speed rotating bucket wheel excavator, spinning bucket wheel, left arm converted into large rail cannon, six large modular missiles mounted on back, missile rack, scope on head, radar dome on head, large high-output boosters on leg sides, heavily armored boosters, nozzle glow, trampling through city, crushing buildings, daytime, from below, low angle, foreshortening, dutch angle, wide shot, dust cloud, rubble, debris, smoke, lens flare, blue sky, daylight, mechanical detail, no text, no humans The camera sits low at street level, tilted a few degrees off horizontal, so the machine towers up out of the frame and its head is cropped by the top edge while its tracks fill the lower third. Seen from this worm's-eye view: the four crawler tracks split front and rear, each a broad segmented band of dull steel, the front pair climbing over the crushed floor slabs of a mid-rise office block whose concrete facade buckles and spills rebar outward; fresh rubble piles in ridges at the track mouths and spills into the street. Above the tracks, the front hull curves forward like a rounded prow, its curved plate scuffed and scratched and streaked with concrete dust. Both arms hang at the machine's sides under enormous slab armor plates bolted at the shoulders. The right forearm terminates in a bucket-wheel excavator tipped forward so the wheel's toothed rim bites into a collapsed rooftop, one bucket scooping up a clod of concrete and rebar; a fine spiral of dust and grit is flung tangentially off the spinning wheel. The left forearm is a long rectangular rail cannon, twin rails running its length, the muzzle aimed low and forward across the street, a faint heat shimmer above the rails. Behind the shoulders, six large modular missiles sit upright in a rack, each cylindrical body with visible seams and fin assemblies, casting hard shadows on the machine's back. The head is a blunt armored casque with a cylindrical scope protruding forward and a shallow radar dome on top, its dish sweeping. On the outer faces of the leg assemblies, large armored boosters clamp on, their nozzles angled down and back, edges glowing a dull orange at idle. Beyond the machine, a daytime city street recedes: glass towers on both sides catching the sun, a few windows flashing where they face the light, cars stopped and crushed, a haze of dust filling the middle distance. The light comes from high and slightly behind the machine, so the armor's upper planes are bright and warm while the undersides of the tracks, the belly and the underside of the arms sit in deep shadow, and the machine's great cast shadow falls across the street directly toward the viewer, swallowing rubble and road. Palette: steel grey and gunmetal for the machine, warm concrete beige and dust ochre for the city, a cool blue sky at the top corners, orange booster glow as the only saturated accent. Dust drifts through the light, fine motes swirling. Crushing, colossal.
クロックロック
AI artwork
Avatar image of クロックロック
1 mecha, no humans, giant robot, humanoid tank, large-scale body, super-heavy armor, six legs, continuous tracks, tank treads for feet, foot undersides split into four segments front-to-back, visor, camera eye, scope, radar dome, head-mounted radar, both arms heavily armored, bucket wheel excavator, bucket wheel on right arm, high-speed rotating bucket wheel, rail cannon, rail cannon on left arm, six missiles, missile pods on back, assembly-type missiles, boosters, leg-mounted boosters, high-output boosters, speeding, running at full speed, wasteland, desert, dust cloud, from below, dutch angle, foreshortening, dynamic angle, wide shot, low horizon, profile, motion blur, exhaust, sparks, no text, solo, single vehicle A low, tilted camera looks up from the cracked desert floor as the colossal humanoid tank thunders across the wasteland, its mass filling the frame from the lower left toward the upper right. The machine's torso is a squat, armored box of layered steel plates, riveted seams and overlapping skirts, so wide that the six legs splay beneath it like a beetle's. Each leg is a thick hydraulic column ending in a flat pad whose underside is split into four heavy continuous tracks running front to back; the tracks bite the dust in sequence, the front segments throwing up a plume of grit while the rear segments press flat and leave a gouge, and the machine's whole hull tilts forward with the running stride, weight carried on the leading three legs while the rear three shove off. Dust and gravel spray backward from the treads in a long tumbling wake that stretches to the horizon. The head sits low and forward between hunched shoulder blocks: a broad visor stretches across the front like a dark slit, its camera eye a bright band glowing under the armored brow. Above the visor a stubby cylindrical scope juts forward, and behind it a domed radar sweeps, the dish tilted, its shadow sliding across the head's top plate. Both arms are encased in enormous slab armor. The right arm ends in a bucket wheel excavator: a huge toothed ring of buckets spinning at speed, its blur a smear of steel, grit and sparks flung outward in an arc, casting the dust around it into a halo. The left arm is a long rail cannon, twin rails and cooling fins along its length, muzzle pointed forward and slightly out of frame, heat shimmer curling above the rails. On the back, six large assembled missiles stand in a racked row, angled upward, their fins crisp against the sky, held by clamps and struts. Down the outer sides of the legs, huge high-output boosters are bolted in armored housings, their nozzles flaring with blue-white flame and a hot orange core, exhaust blasting backward and downward, kicking dust into a boiling cloud, heat distortion bending the air behind the flame. The light is a hard low sun from the right, raking across the armor: highlights burn along the upper plates and the bucket ring, while the undersides, the leg interiors and the far side of the hull drop into deep shadow. The palette is dry ochre and burnt sienna dust, gunmetal and chipped steel grey, rust, with the visor's cold cyan band and the boosters' blue-white and orange the only saturated accents. A single dust-caked panel plate hangs slightly ajar on the near leg, rattling with the stride, and the tread segments leave a repeating four-groove impression in the dirt behind. Overwhelming momentum, apocalyptic roar.
クロックロック
AI artwork
Avatar image of キノコ
An extreme close-up view of a predominantly black tank dominates the frame, its massive hull and treads rendered in flat color with clean geometric lines. The tank's armor plating appears as simplified angular shapes with little texture or shading, its turret and gun barrel drawn in bold, minimal silhouettes. Small details like rivets and panel seams are suggested through thin, precise line work rather than realistic detailing. The dark black body is accented with a soft pastel palette — muted pale blues, gentle pinks, and creamy off-whites fill the background and highlight edges of the vehicle. The composition feels graphic and poster-like, with the tank filling nearly the entire frame at this close distance. The overall mood is playful yet mechanical, conveying heavy machinery through a dreamy, simplified pastel illustration style.
キノコ

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